Category: Calls for Papers
Dates and Details for your diary!
The European Association for American Studies is pleased to announce that its next biennial conference will take place in Constanta, Romania from 22nd to 25th April, 2016.
The EAAS conference will be hosted by our colleagues at Ovidius University in Constanta, with the local support of the Romanian Association for American Studies. Constanta is an ancient and beautiful resort city on the Black Sea coast. The easiest entry point for international visitors is likely to be Bucharest airport, and this location provides a great opportunity to add days for vacation and exploration. The conference website currently being designed will give full details of travel and accommodation options.
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Open Call for Presentations |
To highlight the range and diversity of American Studies in Europe the EAAS is issuing an open call for proposals for the 2016 conference. Proposers may wish to identify and explore long-standing, current and emerging intellectual debates in American Studies; to explore critically the varying practices and methodologies in American Studies; to bring to life current discussions and to posit potential paradigms in American Studies. The various anniversaries of 2016 provide a variety of potential foundations for proposals. It will be 150 years since the start of the post-Civil War era of Reconstruction. That was also the era of the dime novel, and Seeley Regester’s The Dead Letter, credited by some as the first full-length American crime novel, appeared in 1866. 125 years will have passed since Thomas Edison patented the motion camera and 100 since the creation of the US National Parks Service. 1916 also saw the opening of the nation’s first birth control clinic, the election from Montana of Jeanette Rankin, the first woman to sit in the US House of Representatives, the release of D.W. Griffith’s Intolerance and the publication of Carl Sandburg’s Chicago Poems. It was also the birth year of Shirley Jackson, Walker Percy, and Walter Cronkite. The National Organization for Women celebrates its 50th anniversary in 2016, as does Star Trek. |
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Contemporary American Studies topics could include, for example, discussion of the USA’s strong, diverse and expanding literary canon; the multi-dimensional character and seemingly endless inventiveness of America’s cultural output; the inventiveness of American culture in an age of new social media; the heritage that might be left after the nation’s first African-American presidency. The EAAS conference encompasses topics across the disciplinary spectrum in American Studies, as well as interdisciplinary and multi-disciplinary approaches to the subject. The themes mentioned here are not intended to be a definitive list, and the conference committee looks forward to receiving many different and stimulating proposals.
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Format |
The EAAS is moving away from its former Workshop format. Proposals are now invited that may use a variety of presentation styles. The conference structure is expected mainly to consist of traditional panels sessions with papers, and proposals targeted at this format are very welcome indeed, but submissions may also be proposed as roundtables, workshops, shop-talks, dialogues, interviews, performances, individual lecture presentations, readings or in other innovative formats. All proposals are expected to include the opportunity for discussion. |
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Session chairs |
Volunteers are invited to fill the role of chairs or facilitators for sessions where these positions are vacant. Volunteers to chair sessions should include their name and affiliation, and a brief statement of their areas of expertise. The conference committee will gratefully call on volunteers to add them to appropriate sessions where possible.
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Selection |
The EAAS is committed to a conference that reflects the broadest disciplinary range within American Studies, the multinational membership of the EAAS, and the international participation that its biennial meetings attract. The conference committee will take these aims into account in reviewing proposals and in constructing the conference programme.
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Deadline |
The deadline for Proposals will be 15 June 2015. The Proposals process will be managed by the Secretary General of the EAAS and full details of the submission process will appear soon on the EAAS website. Meanwhile – note the dates in your diary, and take this opportunity to begin drafting your proposal for the 2016 conference.
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Call For Papers
As part of the project EHDLM (Writing History from the Margins) funded by Sorbonne Paris Cité, the following conference will be held at Université Paris 13, on June 18-19, 2015.
Historians and the Margins: from North America to Former Empires
Organizers: Claire Bourhis-Mariotti, Hélène Le Dantec-Lowry, Claire Parfait, Mathieu Renault, Marie-Jeanne Rossignol
Scientific committee: Christine Chivallon (LAM, CNRS), Elisabeth Cunin (IRD, CNRS), Odile Goerg (Paris Diderot), Ivan Jablonka (Paris 13), Martha S. Jones (University of Michigan) Elika M’Bokolo (EHESS), Mélanie Torrent (Paris Diderot).
Languages of the conference: French and English
Plenary speakers: Partha Chatterjee (Centre for Studies in Social Sciences, Calcutta ; Columbia University), Odile Goerg (CESSMA, Université Paris Diderot)
This event is the final conference of a three-year project funded by Sorbonne Paris Cité and entitled “Writing History from the Margins: the Case of African Americans” (hdlm.hypotheses.org). This project, which involves 3 universities—Paris Sorbonne Nouvelle, Paris 13, and Paris Diderot—explores the relationships between African Americans and history. A first conference (University Paris Diderot, June 12-13, 2014) investigated the works and the legacy of black historians of the 19th and early 20th centuries. Between the 1830s and 1940s these historians wrote from the margin of American society, both as amateurs, and later as professional historians, who launched journals, organized conferences, and developed institutional tools for their segregated scientific activity. The upcoming conference aims to extend the exploration to other historians who wrote from the margins. We would also like to question the very notion of margins. At a time when many wonder about the future of history as a discipline, we will examine whether margins can be considered as a site of innovation for historical writing.
Indeed, one of the objectives of this conference is to contribute to the ongoing debate about the historical discipline. Participants are invited to use the notion of “margins” to question the writing of history, its fictional and artistic representations, and the links between “professional” history and memory, between scholarly historical writing and the staging of history in museums and through commemorations.
The notion of “margins” will be considered in its widest sense, with a particular focus on historians located at the margins.
Papers may address any of the following issues, whether through theoretical explorations or case studies, without limitation of period or space:
– At a time when connected, entangled, transatlantic, and transnational histories render the opposition between “center” and “periphery” less pertinent, what exactly does it mean to write history from the margins?
– Who are historians “at the margins”? Does one write history differently when doing so from the margins? Is such history necessarily activist?
– What are the challenges involved in writing and publishing history from the margins? In the case of early African American historians, writing from the margins meant, among other things, looking for scattered sources and devising innovative solutions to break into print. How does this apply to other historians who find themselves at the margins of empire (writing colonial history from the point of view of the colonized; writing in languages other than the dominant ones), of gender (renewing historical writing from a gendered perspective in the case of female historians), of social class (writing from outside the socioeconomic and intellectual elites), and of historiography (challenging conventional wisdom; participating in revisionism)? How do we include historians of the past whose works have been forgotten, who still stand at the periphery/the margin of contemporary historians’ vision, and whose legacy often remains invisible?
Please send an abstract (300 words maximum) in English or French and a one-page CV to:
historyfromthemargins@gmail.com no later than November 15, 2014.
If you have any announcements, calls for papers, or queries about REDEHJA, please do email me at claire.bourhis-mariotti@orange.fr
Cordialement / Best regards,
Claire Bourhis-Mariotti, Secretary
The European Network for Short Fiction Research will hold its annual conference in Dublin, April 17-18, 2015. This year’s theme is “Reading Short Fiction in Transnational Contexts”, and abstracts are now being accepted at ensfrdublin@gmail.com.
Much scholarly work has been done in recent years on the idea of transnationalism in
literary studies, but the extent to which the term relates to works of short fiction has
not yet received sustained scrutiny. This conference aims to address this scholarly
lacuna with a series of lectures and panel discussions on a range of issues including
(but not limited to) the following:
• The transnational origins of short fiction
• Short fiction between nations
• Short fiction and nation-building
• Short fiction and the idea of the nation
• Short fiction as transnational form
• Short fiction between national cultures
• Reading short fiction across nations
• Short fiction authors between states
• Short fiction and its international audiences
• Short fiction and issues in translation
• Short fiction and the nation state
• Short fiction and the transatlantic world
• Short fiction in Europe
• Short fiction and empire
• Short fiction and the gendering of nation
In addition to papers on these and other topics, the conference will include a panel
discussion on the first five years of Best European Fiction, an annual anthology of
short fiction in English (and translation into English) published by the Dalkey Archive
Press. The conference will also include some readings by contemporary Irish short
fiction writers.
300-word abstracts for 20-minute papers should be sent to ensfrdublin@gmail.com no
later than midnight on the 1st of December 2014. Contributors should also send a
short biographical note indicating institutional affiliation. A provisional conference
programme will be announced in early January 2015.
It is envisaged that conference proceedings will be published as a special issue of the
peer-reviewed journal Short Fiction in Theory and Practice:
http://www.intellectbooks.co.uk/journals/view-Journal,id=196/
For further information about the European Network for Short Fiction Research see:
http://ensfr.hypotheses.org/
Download the CFP in PDF here: CfP ENSFR conference April 2015 Dublin
POETRY AND COLLABORATION IN THE AGE OF MODERNISM
Trinity College Dublin and the Trinity Long Room Hub Arts and Humanities Research Institute
2nd–3rd July 2015
Keynote Speakers:
Alex Davis (University College Cork)
Peter Howarth (Queen Mary)
Poems are the products of collaborative exchange. This is possibly at no point
more apparent than during the period of Anglophone modernism. From the
late-nineteenth to mid-twentieth century, poets and poems interacted with a
complex array of publishing outlets; partnerships were established with
musicians, painters, sculptors, photographers, filmmakers, broadcasters, and
theatre practitioners; and translation was a central creative practice. All the
same, the modes and sites of such collaboration remain critically
under-examined. They can elude current historical, theoretical, and
methodological approaches to poetry in the period, which are sometimes still
overly invested in poetry’s separation from other discourses and art forms, or
in notions of single authorship.
This conference will seek to foster scholarly attention on the collaborative
nature of poetic production, mediation, and reception across Britain, Ireland,
North America and beyond during the age of modernism. It will welcome contributions
on any aspect of the conference theme from researchers in fields such as drama,
music, dance, visual and material cultures, publishing and media history, as
well as from literary scholars. Topics might include, but are not confined to:
· periodical and publishing culture:
poetry in the magazines, the role of editors.
· poetry and the visual arts:
ekphrasis, palimpsests, concrete poetry, spatial poetics.
· adaptation and performance: music,
theatre, cinema, radio, television.
· translation as collaboration:
transnational exchanges.
· textual interrelationships:
allusion, intertextuality, co-authorship, anthologisation.
· poetry and the institution:
patronage, the university, broadcasters.
· collaborative locations: salons,
clubs, studios, theatres, peripheries, centres.
· digital perspectives: emerging
material and analytical avenues.
Please send proposals of c.300 words and a brief biography to the conference
organisers, Alex Runchman and Tom Walker, at collaboratingmuse@gmail.com by
30 November 2014. Please visit the conference website for more information: http://collaboratingmuse.wordpress.com/
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Canadian Review of American Studies
Death in the Cityscape
In contemporary literature, the intersection of the space of death and mourning within the confines of the city acts as a method of critiquing our understood modes of living. Since Plato’s Republic, the uneasy interplay of death and memorialization within the polis has been considered. Theorists like Gillian Rose in Mourning Becomes the Law and Sharon Zukin in Naked City have elaborated upon the discourse of space, death, and mourning within an urban setting. This issue of finding a space within the city for the dead remains with us, and recent American economic turmoil places the urban metropolis and its spaces of decay in sharp focus (seen in novels like Teju Cole’s Open City, television shows like The Wire and movies such as Synecdoche, New York). Where in the city is death (dis)allowed? Under what authority does the city, as a social nexus point, memorialize the dead? How does art work in concert with, or against, accepted practices of mourning and memorializing within the city limits? Can one mourn the passing of a city and, if so, how is this enacted? While this abstract focuses primarily on contemporary American work, we welcome papers related to any period of American urban history.
We invite scholarly articles on this topic in any genre of American studies. Submissions should be no more than 8000 words in length. Abstracts of no more than 250 words will be accepted until December 1, 2014. Completed articles must be submitted by April 1, 2015.
Send abstracts and submissions to dcalabre@uwo.ca
Possible topics may include:
– Death’s relationship to identity in the American city
– American Cities Characterized
– Post-9/11 American Cities and Identity
– Death and Mourning in the City
– Death and Public Art
– Memorials and Public Mourning
– Urban American: Recession and After
Keywords:
– African-American
– Children’s Literature
– Cultural Studies and Historical Approaches
– Ecocriticism and Environmental Studies
– Ethnicity and National Identity
– Film and Television
– Gender Studies and Sexuality
– Interdisciplinary
– Literary Modernism
– Popular Culture
– Postcolonialism
– Postmodernism and Postmodern culture
– Theatre Studies
– Twenty-First Century Literature
– Visual Art and Culture
The State of the Nation: American Women in the Twenty-First Century
Marie Curie Skłodowska University, Lublin, Poland
Friday, March 27, 2015
As American women have obtained positions of world power, leader, and strength they are still facing continual struggles to maintain and shape their place within the public and private spheres. Legislation attempting to dismantle the 1973 Roe v Wade decision, the 2014 Supreme Court ruling in favor of an employer’s right to choose a woman’s contraception, and continual battles for equal pay are just some of the obstacles women still face. This one-day symposium seeks to discuss contemporary issues facing American women by examining their position in the United States and by assessing the “state of the nation” in terms of gender equality. The European Association for American Studies Women’s Network invites proposals that consider American Women in the Twenty-First Century broadly conceived. We particularly encourage individual abstracts and panels which incorporate transdisciplinary explorations of the subject, and welcome submissions from any branch of American Studies. Possible themes include, but are not limited to:
Comparative approaches that include the United States
Proposals should be sent to the EAAS Women’s Network (eaaswomensnetwork@gmail.com) and should consist of a 500 word abstract in English, as well as a one-paragraph biography for each participant. The time allowance for all presentations is 20 minutes. An additional 10 minutes will be provided for discussion.
Deadline for proposal submission: December 15, 2014.
Notification of proposal acceptance: January 15, 2015.
More information will be posted on our website as it becomes available: http://www.women.eaas.eu/
20-21 February 2015
Clinton Institute for American Studies
University College Dublin
Speakers include:
Elizabeth Maddock Dillon (Northeastern University)
Liam Kennedy (University College Dublin)
Walter Benn Michaels (University of Illinois at Chicago)
Donald Pease (Dartmouth College)
Stephen Shapiro (Warwick University)
How has American literature responded to the political, economic and cultural dominance of neoliberalism? What does neoliberalism mean for practices of writing, reading, and selling books? This conference will focus on the production, form and consumption of literature under conditions of neoliberalism.
We invite proposals for conference presentations – individual papers and panels. Conference themes will include, but will not be limited to:
Brief abstracts (200 words) plus a short biographical statement should be sent to Catherine Carey at Catherine.Carey@ucd.ie by 17th November 2014.
The conference will take place at the UCD Clinton Institute for American Studies. Our website will feature further details about the conference, see www.ucdclinton.ie
The Call for Papers for the 2014 IAAS Postgraduate Conference is out now.
For all information on the symposium, or to submit an abstract, please visit http://iaas.ie/iaas-postgraduate-conference/