Postgraduate students in the Humanities and Social Sciences who are registered for a higher research degree at any European university, and are members of an American Studies association belonging to EAAS may apply. Two kinds of grants are available: the Transatlantic Grant and the Intra-European Grant. The maximum single award granted may amount to €2,000.

The Transatlantic Grant will permit the holder to conduct research which illuminates a particular area of American Studies in a designated university, independent research organization or archive in the United States.

The term of the grant will be between three weeks (minimum) and eight weeks (maximum). Successful applicants will receive a grant intended to cover round trip travel and some of the living expenses. Only students registered for a Ph.D. are eligible to apply for the Transatlantic Grants.

The Intra-European Grant will allow the recipient to conduct research for a period of up to four weeks in an American Studies Center or university library or archive in Europe. Graduate students who are registered either for a Ph. D. or a Master’s degree by research are eligible to apply for Intra-European Grants.

Applications must be made on the official form and should include written confirmation from the host institution that the researcher will have access to the necessary resource materials, and a letter from the student’s academic supervisor. Applicants will be required to supply a detailed estimate of the cost of their visit, including the cost of travel, subsistence, and incidentals. They should also state the minimum amount of money needed to make the trip possible. Applicants are encouraged to seek supporting or matching funding wherever possible.
Grant recipients will be responsible for making their own arrangements for travel and accommodation. Travel must be completed within twelve months of the grantee being notified of the award.

Grantees are required to submit a report to the EAAS within thirty days of returning from their research visit. Obviously the report should include the grantees’ institution and destination. For technical reasons please limit the file to 1024 Ko.

The application deadline (receipt of the application) for the current round is Sunday, 25 March 2018. You may download the Application Form as a Word file (45 KB) or a PDF file (101 KB) (both below).

Please send the completed Travel Grant Application Form including:
an estimated budget,
a recommendation letter from academic supervisor,
a letter of confirmation from the host institution
to Professor Pawel Frelik, Vice-President of the EAAS, by e-mail attachment to vice-president@eaas.eu.

Eaas_travel_grant_form_2018

Eaas_travel_grant_form_2018

 

CFP: Understanding America in the 21st Century: Culture and Politics

Convened by the Salzburg Seminar American Studies Association

Salzburg Global Seminar, Schloss Leopoldskron, Salzburg, Austria

Friday, September 21 – Tuesday, September 25, 2018

Overview

Ever since Salzburg Global Seminar was founded in 1947 as the Salzburg Seminar in American Studies, critical dialogue about American history, literature, cultural institutions, politics, economics and law has played a vital role in our organization’s development and legacy.

The annual symposia convened by the Salzburg Seminar American Studies Association focus on topical questions and issues related to American culture and society, in order to foster understanding of how these issues are influenced by, and affect, the world as a whole.

The multi-disciplinary symposium in 2018 will explore the sensitive intersect of culture and politics in America’s rapidly changing landscape, building on the conclusions of the 2017 symposium on Life and Justice in America: Implications of the New Administration.

Our ultimate purpose is to foster greater understanding of how the lives of individuals and communities in 21st century America are being reshaped as a result of current social, political and cultural forces as well as America’s changing role in world affairs.

Participants will examine factors related to leadership, gender, race and ethnicity changes in America, transformations in media and digital communication, the decline of trust in political and cultural institutions, the direction and polarizing significance of popular culture and the arts in understanding America, and the implications of the above for the future of American Studies abroad.

Program Format The four-day session will be a highly participatory and outcome-oriented program, held at Schloss Leopoldskron, the historic home of Salzburg Global Seminar. Daily thematic presentations by distinguished speakers will be followed by moderated plenary discussions, as well as panels and café discussion groups on topical issues to maximize cross-sector interaction with participants.  Afternoon sessions will include small thematic working groups, providing multiple opportunities for all participants to share their knowledge and expertise on equal terms and to build new alliances and research projects.

Participants will analyze the likely directions of changes  in America over the next decade, drawing on their observation of developments since the 2016 election as well as political trends leading up to the mid-term elections of 2018.

Participant Profile Salzburg Seminar American Studies Association (SSASA) symposia are intended to connect scholars and professional leaders from around the world to build collaborative networks for research and critical debate. The 2018 meeting – the 16th SSASA symposium – will bring together approximately 40 participants from more than 25 countries. In addition to public and private sector professionals, participants will include academics teaching about the United States in universities across Asia, Africa, the Middle East, Central, Eastern and Western Europe, as well as the United States. We will actively encourage participation by Americanists, political scientists and cultural professionals interested in the future direction of American culture.

Key Questions  Issues to be addressed during the symposium will include:

  1. Why is America so hard to understand?
  2. In what way are increased social, political and cultural tensions a product of demographic shifts, changes in leadership, or issues of gender, race relations, the politization of immigration, and crime and punishment and judicial fairness in the U.S.?
  3. What explains the loss of trust that America is currently experiencing and what are the implications for the future?
  4. What are the most dynamic factors, specifically including the distribution of wealth and educational opportunity, that are contributing to the polarizing of society and politics?
  5. To what degree does an analysis of popular culture and cultural institutions, such as political, economic, educational, and the arts foster an understanding of America?
  6. To what extent does American populism and nationalism differ from that presently being experienced elsewhere?
  7. In what way and manner has the expectation and conduct of political leadership changed in the 21st century?

Program Goals

  • The session’s primary goal is to foster intellectual analysis and discussion between professionals and academics about the factors shaping the future of personal life and communities in America.
  • Participants will gain a better understanding of the complexity of domestic and international forces impacting and driving America in the 21st century, to enrich their teaching, research and practice.

Session Chairs:

Christopher Bigsby, Director, The Arthur Miller Institute, University of East Anglia, UK

Ronald Clifton, Retired Counselor, Senior Foreign Service of the United States; Associate Vice President (ret.), Stetson University

SPEAKERS will include:

Christopher Bigsby, Director, The Arthur Miller Institute, University of East Anglia, UK

Reinhard Heinisch (invited), Professor and Chair, Department of Political Science, University of Salzburg

Tricia Rose, Chancellor’s Professor of Africana Studies and Director of the Center for Study of Race and Ethnicity in America, Brown University.

Charlie Savage (invited), Pulitzer Prize-winning journalist and Washington correspondent to the New York Times

For more information about the program, contact Symposium Director Ms. Marty Gecekmgecek@SalzburgGlobal.org

The symposium website and a registration form can be accessed at

www.SalzburgGlobal.org/go/ssasa16

Information on designated speakers will be posted there as soon as they are confirmed.

Limited financial aid is available towards the symposium fee of 740 Euro (which includes all expenses in Salzburg, but not travel). One full scholarship will be awarded through the Emory Elliott Scholarship fund, and one through the Clifton Scholarship Fund.

CFP: “Other Souths on Page and Screen”

Polish Journal for American Studies (PJAS) Special Issue

In the 1993 inaugural issue of Southern Cultures Harry Watson and John Shelton Reed claimed in “The Front Porch” that “although it may be said that there is one South, there are also many Souths, and many cultural traditions among them … There is one South spawned by its many cultures” (1993). The American South has never been a homogenous concept. Yet, up until the late nineteenth century Southern writers tried to evoke an image of their region based on “slavery, mocking birds, hominy grits and Bourbon whisky” (Lawson, Following Percy 47). By eliminating any experience (e.g. of poor whites or African Americans) which contradicted their own, white Southern writers tried to create a monolithic image of the patriarchal South. Such a partial projected image was of course reductive in nature, as the South has always been a union of opposites – such as “calm grace and raw hatred, polished manners and violence, individualism and conformism” (Holman, The Roots 1). Indeed, such opposites inspired various twentieth-century writers to reflect on differing dimensions of the region. Writers such as Flannery O’Connor, William Faulkner, Carson McCullers and Barry Hannah employed alternative modes of representation (Southern gothic, grotesque, irony, black humor, to name a few). Harry Crews and Dorothy Allison visualized the poor white existence in Southern letters. Racial struggles and the issue of passing were memorably depicted by Charles Chesnutt. Tennessee Williams’, Reynolds Price’, and Charles Nelson’s texts show how the South perceived and dealt with masculinity and homosexuality. Tom Wolfe’s A Man in Full depicted immigrants as the Other. The younger generation of Southern writers, such as Larry Brown, Charles Frazier, Dori Sanders, Josephine Humphreys, Kaye Gibbons, demonstrate that “today’s southern writers are not homogenized mainstreamers and are certainly not immune to the great changes in their region” (Gretlund, Heads on Fire). Writers seek the Caribbean connection through re-positioning the South in the global discourse. The Asian diaspora in the South becomes more visible and vocal. The Southern landscape has also lured television producers and viewers (True Blood, Treme, American Horror Story, and True Detective).

 

THE OBJECTIVE OF THE THEMED ISSUE:

The proposed themed issue of Polish Journal for American Studies does not seek a holistic image of the South, because “[e]ach of these monistic concepts is true within its own limits, and each is false as a picture of the entire region. For each of these concepts has been an attempt to bind together a heterogeneous land and a varied people through the application of a Procrustean model made of monistic and simplistic – although often highly sophisticated – generalizations” (Holman, The Roots 97). Keeping in mind the inexhaustibility and complexity of the South as a region, the special issue of Polish Journal for American Studies aims to reexamine and reassess the image of Other Souths presented in literature, cinematography and popular culture. Offering different renderings of the region, the contributions may include, but not necessarily be limited to, the following themes:

 

  • the poor white South
  • Appalachia and its cultural specificity
  • Native Americans of the American South
  • “interstitial” racial/ethnic identities (especially Asian and Hispanic)
  • multiethnic identities
  • immigration into the Dixie
  • the Caribbean connection – the South resituated in the Global South (the American South as part of the larger plantation region of the Caribbean)
  • the Southernness of Texas and Florida
  • the South as the Northern projection versus Southern self-image
  • (fading) masculinity, tomboys, and the Queer South
  • silence / silencing – as mode of representation
  • Southern gothic, grotesque, black humor

 

SUBMISSION PROCEDURE:

Authors are cordially invited to submit a 200 word abstract and short bio via email to urszula.niewiadomska.flis@gmail.com

The email should bear the subject line “(surname): abstract for PJAS.”

 

Abstract submission deadline: March 31, 2018

All abstracts will be subject to review. Authors will be notified by 15 May, 2018

Articles are due by August 31, 2018

 

Formal condition of acceptance:

Manuscripts of accepted articles should not have been published or be under consideration for publication elsewhere.

All papers undergo a review process, and the editors reserve the right to refuse papers or to make suggestions and/or modifications before publication.

 

Research articles should generally not exceed 8,000 words (inclusive of notes, references, and illustrations). Citations should follow MLA. In addition to endnotes, a list of works cited at the end of the article is requested.

 

Please address questions and submissions to the guest editor:

Urszula Niewiadomska-Flis urszula.niewiadomska.flis@gmail.com

 

More about Polish Journal for American Studies, its review procedure and past issues: http://www.paas.org.pl/pjas/

CFP: Ex-Centric Narratives: Journal of Anglophone Literature, Culture and Media

The Hellenic Association for American Studies (HELAAS) in cooperation with the Department of American Literature and Culture of the School of English of Aristotle University of Thessaloniki (AUTh), Greece, is launching an electronic multi/interdisciplinary open access, refereed journal with the titleEx-centric Narratives: Journal of Anglophone Literature, Culture and Media (Ex-Na).The journal addresses academics, scholars and graduate students engaging in the interdisciplinary study of Anglophone literatures, cultures and media and will be published once a year.

Journal Chief Editors:

Dr. Tatiani Rapatzikou (Associate Professor, AUTh)
Dr. Smatie Yemenedzi-Malathouni (Associate Professor, AUTh) Dr. Theodora Tsimpouki (Professor, University of Athens)

Call for Abstracts

SPECIAL ISSUE 3

Issue Guest Editors:

Francisco A. Lomelí

Prof. Spanish and Portuguese & Chicana/o Studies University of California, Santa Barbara lomeli@spanport.ucsb.edu or lomeli@chicst.ucsb.edu

Juan Ignacio Oliva

Professor of Postcolonial Anglophone Literatures University of La Laguna, Tenerife, Canaries jioliva@ull.es

Emmanouilidou Sophia

Teaching Fellow, American Literature

Aristotle University of Thessaloniki, Greece

semma@enl.auth.gr

Identity Broodings and Inter-Referential Pathways in Chicana/o Culture

The Chicano Movement (El Movimiento) in the late 1960s signaled the flow of multiple Chicana/o cultural expressions notably associated with an intricate matrix of socio-political claims for self-empowerment. Pledging to enhance the inter-referential connection(s) between the community’s subversive tactics and the vast cosmos of dispossessed groupings across the globe, Chicana/o writers, artists and thinkers have undertaken to decipher the enigmas of being-in-the-world by making visible numerous enveloping discourses of appropriation. For instance, the Mexican American literary canon unyieldingly resonates what Chela Sandoval schematic proposes a “differential consciousness” against the backdrop of supremacy, capitalism, internal colonialism and personal/communal encroachment. This special volume of Ex-centric Narratives: Journal of Literature, Culture and Media (Ex-Na) aims to explore the complex ways in which Chicanas/os untangle the conundrums of self-identity, illuminate the transnational viability of the borderlands metaphor and seek the dialogic potential in the rite to oppositional praxis. Papers are welcomed focusing on Chicano/o culture and the topics highlighted below:

  • Chicana/o self-consciousness (consciencia)
  • The political unconscious in Mexican American culture
  • Landscapes, cityscape and identity formation
  • The spatio-temporal dialectic
  • Hierarchies, confrontations and dispositions
  • Individuation vis-à-vis collectivization
  • The re-invention of Chicana/o literature

All abstracts must be received by the deadline of Friday September 14, 2018. The length of the abstract should be between 150-180 words.

Your abstract submission should include:

Title
Author(s)
Author contact information Affiliated institution Keywords (4-5)

Please send your emails to:

 

Interculturalism and transculturalism

The poetics and politics of cultural identity

  • Transnationalism and the inter-reference potential
  • Differential and/or oppositional consciousness
  • Borderlands, liminalities and transgressions

Francisco A. Lomelí lomeli@spanport.ucsb.edu Juan Ignacio Oliva jioliva@ull.es
Sophia Emmanouilidou semma@enl.auth.gr

Expected date for publication of Ex-Centric Narratives, Issue no.3, December 2019.

CFP: “Epochs re-echoing in European and American culture and literature”.

MINSK STATE LINGUISTICS UNIVERSITY, Belarusian Association for American Studies, Belarusian association of Teachers of English, IATEFL

CALL FOR PAPERS: May 14 – 16, 2018 (Minsk, MSLU)

XXVIIth ANNUAL INTERNATIONAL CONFERENCE

 

It is assumed that the conference will address the following problems:

  • Romanticism – Modernism in the literature of the 19th–21st centuries. Literary and cultural interaction.
  • Modernism – Postmodernism in literature in the 20th century– the beginning of the 21st century.
  • Canon – Eclecticism in culture and literature in the 20th – the beginning of the 21st century.
  • Europe – America: a View from the Other Continent
  • Experiment in culture and literature in the 20th–21st centuries.

Conference languages: English, Belarusian, Russian.

It is expected that a volume of conference papers will be published. Only the papers presented at the conference will be considered for publication.

Applications for participation and a short summary of the paper (100 words) should be sent by April 15, 2018 to the following address:

MSLU World Literature Dept (conference 05.18),

Zakharova St., 21, Minsk, Belarus, 220034.

Tel.: (+375-17) 288-25-63 Fax: (+375-17) 294-75-04

E-mail: worldlit1@mail.ru

All the expenses connected with participation in the conference are to be covered by the participant or his/her institution.

Deadline for application: April 15, 2018 (worldlit1@mail.ru)

CFP: “Follow the Yellow Brick Road? Challenging Approaches to Progress in North America”.

*** Extended Deadline ***

Call for papers for the 11th Annual Graduate Conference of the GSNAS Berlin:

“Follow the Yellow Brick Road? Challenging Approaches to Progress in North America”
Graduate School of North American Studies, Freie Universität Berlin, June 7-8, 2018

Keynote Speakers:

Jack Halberstam (Columbia University)

Jason Scott Smith (University of New Mexico)

John Collins (London School of Economics)

Notions of progress have remained pivotal to North American identities and academia. Discussions range from how “progress” may be evaluated empirically to whether the concept is a useful theoretical tool at all. In practice, visions for social and economic change are generally coupled with the idea of progress. Particularly in North America, competing perceptions of progress remain a driving force behind public and political discourses. Across the political spectrum, current debates often hinge on appropriations or differing interpretations of progress. These debates have intensified against the backdrop of technological innovation, sociopolitical upheavals, and programmatic schisms in progressivist movements.
The 11th Graduate Conference hosted by the Graduate School of North American Studies at the Freie Universität Berlin will explore interdisciplinary ideas of progress and consider their relevance across numerous fields of research. How is progress framed in various academic dialogues? What functions do concepts of progress and progressivism fulfill in North American societies? To what extent have American values promoted or obstructed progress? Which counternarratives exist? What are the contested theories and methods by which progress can be measured, if it can be measured at all?
As an interdisciplinary institute, the Graduate School welcomes abstracts for individual 20-minute papers from political science, history, economics, literature, cultural studies, and sociology, as well as related fields of research. Graduate students (M.A. & Ph.D.) and early career scholars are especially encouraged to apply.
Proposals may explore, but are not limited to, the concept of progress in the following contexts:
• Progress and American Exceptionalism
• Progress in the colonial imagination and practices of “writing back”
• Religions as catalysts of change
• Whose progress? Social justice and activism
• Definitions of progress in progressivist movements since the 19th century
• Progress in a “post-fact” society
• Digital transformation and the future of work
• Representations of progress, regress, and stagnation in popular culture
• Teleological understandings of progress
• Utopian and dystopian art, film, and literature
• The future of remuneration and minimum basic income
• Visions of innovation, technology, and development
• Gendered and racialized notions of progress
• The rise of economic nationalism in the age of globalization
Abstracts should be limited to 300 words and include the author’s name, e-mail address, institutional affiliation, discipline(s), and a short biography.
The deadline for submissions has been extended to February 14th, 2018. The conference committee will confirm the receipt of abstracts via e-mail and will notify the selected researchers by the end of March 2018.
Please submit all abstracts and questions to gsnas.conference2018@gsnas.fu-berlin.de.
The conference will be held in English. For further information go to www.gsnas-conference2018.de
CFP: Transatlantica Special Issue

Call for Papers

American Women Writers Abroad

Be they explorers, adventurers, travelers, exiles or expatriates, scores of women have broken free from the domestic sphere to which a male-dominated society would have them bound and recorded their impressions of the wider world in their writings (letters, diaries, travelogues) or used them as artistic material. For a long time, though, British Victorian women’s literature remained the almost exclusive focus of critical scholarship while American women writers’ contribution to this field was largely neglected. Travel literature has been the focus of much critical attention over the last decades in the wake of postcolonial studies, but only a handful of scholars have investigated the way in which American women writers have specifically addressed questions of selfhood and nationhood.
This special issue aims at bringing to light specific paradigms of female mobility in a US context, building on previous studies by established scholars like Mary Suzanne Schriber (Writing Home : American Women Abroad, 1830-1920, 1997), Cheryl Fish (Black and White Women’s Travel Narratives: Antebellum Explorations, 2004) and Susan L. Robertson (Antebellum American Women Writers and the Road: American Mobilities, 2011). Most of the existing scholarship understandably addresses the question within the time frame of the long 19th century, when the U.S. was struggling to assert its difference from European superpowers and establish itself as a full-fledged nation. Although studies exploring this time period are most welcome, we would like to widen the scope of examination by including essays dealing with American women’s travel experiences from colonial times to the late 20th century.

Contributors are invited to explore such questions as:

  • How have American women travelers approached the question of otherness?
  • How has their travel experience contributed to reshaping their identities? How has it helped them negotiate gender expectations?
  • What sort of travel books did they rely on when visiting foreign countries? What do these reveal about the formation of the American female traveler’s mind?
  • How does American women’s travel experience complicate men’s official narratives of expansion, adventure, or colonization?
  • Can we identify recurrent motifs, stylistic traits or concerns in their travel literature?
  • What role has American women writers’ experience of mobility played in the construction of the nation?
  • Can travelling be regarded more as an escape from confrontation with oneself or as a path to self-knowledge?
  • In what ways can gendered and geographical borders interact? Can the transgression of geographical borders allow for more gender fluidity?
  • What role did travelling play in the constitution of activist networks (abolition, woman’s suffrage)?
  • To what extent did European travels allow African American women to break free from the genre of the slave narrative?
  • Can we identify a transatlantic tradition of women’s writing that undermined the nation-building rhetoric of the U.S. as well as conventional constructions of race and citizenship?
  • How did American women’s war writing in Europe contribute to destabilizing national assumptions?
  • What vision of the self and of the world outside national borders has been conveyed by children’s and young adults’ literature featuring travel experiences since the 19th century?
  • How have these women appropriated the codes of typically male genres such as the colonial novel and the novel of adventure?

Proposals dealing with any of these themes and offering innovative and/or challenging perspectives on American women writers’ travel experiences will be most welcome. Authors should submit full-length essays and a short CV to Stéphanie Durrans (stephanie.durrans@u-bordeaux-montaigne.fr) by April 30, 2018. Papers should not exceed 45,000 signs, inclusive of footnotes and spaces, and authors should follow the formatting guidelines to be found online: http://transatlantica.revues.org/5220?lang=en. The editor will pre-select up to 9 proposals to make sure the issue reflects a broad variety of angles, methodologies and concerns. These essays will then be submitted to the approval of the editorial committee of Transatlanticaafter being peer-reviewed.

CFP: Association Française d’Etudes Américaines (AFEA) / French Association for American Studies
Graduate Student Symposium 2018 – University of Nice, May 22, 2018
Call for Presentations

The French Association for American Studies invites doctoral students in American studies to take part in the Graduate Symposium (“Doctoriales”) specifically organized on their behalf during its annual conference. This year’s workshops will be held on Tuesday, May 22, 2018 (9am-5pm) at the University of Nice (France). The conference will take place on May 23 to 25, 2018. For further information, please check our website: http://www.afea.fr

Since 2008, the AFEA has been encouraging the internationalization of its Graduate Student Symposium by offering grants (up to 500 euros each) for a maximum of ten European candidates (other than French) to help cover their travel expenses. All students are, in addition, invited to attend the whole conference free of registration charges. As part of its partnership with the AFEA, the United States Embassy provides funding for one doctoral student coming from an American university.

The symposium provides an opportunity for PhD students to present their research in a less formal setting than that of a full conference panel, and confront it to that of other European scholars. Doctoral students may be at an early or more advanced stage of their research. The proposals will be responded to by professors specializing in related fields. Candidates are invited to give their presentations in English within one of the two workshops offered: 1) American literature, or 2) American “civilization” (history, sociology, political science…). Proposals relevant to both fields (film studies, visual arts or music, for instance), or to another field (such as translation studies or linguistics) can be sent to either of the co-chairs.

Applications
Candidates must send a Curriculum Vitae and a 500-word abstract summarizing their dissertation proposal, plus an estimated budget of traveling expenses and funding otherwise available to them. They must mention when they began their PhD, and the name and affiliation of their advisor.

– Proposals in civilization studies must be sent electronically to both Professor Françoise Coste (coste.francoise@gmail.com) and Professor Romain Huret (Romain.Huret@ehess.fr).
– Proposals in literary studies must be sent electronically to both Professors Mathieu Duplay (mduplay@club-internet.fr) and Anne Ullmo (anneullmo1@gmail.com).

Deadline for application : February 15, 2018. The symposium organizers will respond to all applicants by March 15, 2018.

Professors Françoise Coste, Mathieu Duplay, Romain Huret, Anne Ullmo.

10th Biennial Conference of the
Swedish Association for American Studies (SAAS)
“Open Covenants: Pasts and Futures of Global America”
Stockholm, September 28–30, 2018

2nd Call for Papers

*Extended deadline March 1, 2018*

The Swedish Association for American Studies (SAAS) will hold its 10th biennial conference
in Stockholm on September 28–30, 2018. Confirmed keynote speakers are David R. Roediger
(University of Kansas), Sylvia Mayer (University of Bayreuth), and Frida Stranne (Halmstad
University).

We hereby invite proposals on any subject in the interdisciplinary field of American Studies.
The overarching theme for the conference is “Open Covenants: Pasts and Futures of Global
America,” which highlights central tensions in American culture and politics: the relation
between isolationism and internationalism, openness and closure, migration and borders,
exceptionalism and universalism. We particularly welcome submissions engaging with this
broader theme.

SAAS is an academic network that encourages scholarship in the multidisciplinary field of
American Studies. SAAS seeks to develop a critical understanding of the role, position and
meaning of the United States and Canada. In Sweden, research about North America is
conducted in many different disciplines; the SAAS conference thus functions as an important
forum for interdisciplinary exchange and provides American Studies scholars with an
opportunity to meet and network. We welcome papers from junior and senior scholars on any
topic related to the study of the United States and North America from both a historical and
contemporary perspective. Areas of interest include but are not limited to:
Art
Visual Culture
Film and Media Studies
Cultural Studies
Literature
Musicology
Popular Culture
Gender Studies
Anthropology
Political Science
Religion
US or North American History

The year 2018 marks the one hundredth anniversary of president Woodrow Wilson’s famous
“Fourteen Point Speech,” where he described his vision for a world of peace and unity.
Wilson’s first “point” was a call for “Open covenants of peace, openly arrived at.” Nine months
after the US entrance in World War I, the principles of free trade, democracy, and national
autonomy formed the foundation for the postwar peace negotiations and the establishment of
the League of Nations. Although Thorstein Veblen noted just one year later that “the
President’s proud words have gone whistling down the winds,” Wilson’s internationalism stand
in sharp contrast to the current president Donald Trump’s agenda of “America First.” As
Russian-American journalist Masha Gessen has pointed out, these changes are not only
political but also aesthetic, ultimately affecting the public discourse through manipulations of
language and culture. Notions of United States internationalism or isolationism are intimately
connected to American exceptionalism, to immigration, race, and ethnicity, and fundamentally
to the perception of America at home and abroad. The theme of this year’s SAAS conference
invites participants to engage both with a national American and a global horizon in exploring
notions of “Open Covenants” in history, politics, literature, film, cultural studies, and other
areas of American Studies.

Proposals for Individual Papers
In order to submit a proposal for general consideration, please provide us with an abstract
(200-250 words) with a title that clearly outlines the topic of the paper, along with a brief
biographical description of the presenter (max 100 words), including address details. Paper
proposals should be sent to saasconference2018@gmail.com. Deadline: March 1, 2018.

We also encourage prospective presenters to submit papers to the following, already
accepted, panels:
– “American Horror and Gothic across Borders”
– “The Territoriality of Global America: The U.S.-Mexico Border in Contemporary
Cultural Production”

For a full description of these panels, please see the abstracts attached at the end of this CFP.
If you wish to submit a paper for one of the panels, please indicate so clearly in your proposal
submission. Although the paper will be evaluated by the SAAS organizing committee,
inclusion in a specific panel is made at the discretion of the panel organizer.
Notification of acceptance will be sent to individual paper presenters by March 31, 2018.
For more information about the conference, please visit our website:
www.saasinfo.se/conference.

PANEL ABSTRACTS

American Horror and Gothic across Borders
Organizers: Morten Feldtfos Thomsen, Karlstad University, Sweden: Maria Holmgren Troy,
Karlstad University, Sweden; Sofia Wijkmark, Karlstad University, Sweden

This panel deals with American horror and Gothic in terms of the crossing of borders of
different kinds. It can be said to relate to the theme of the conference in the general sense that
it shows that there are always interchanges, negotiations, adaptations, and cross-fertilizations
going on between and within media and between cultural expressions of different regions or
nations. Isolationism is not an option for cultural workers and critics, or at least an extremely
reductive approach.
The papers explore intermediality in American horror films as well as different relationships
between American and Nordic horror and Gothic in different media: TV series, movies, and
literature. American horror and Gothic have had a large impact on Nordic productions, but at
the same time Nordic Gothic – as well as Nordic Noir – has become extremely popular in the
US. Among other things, this panel demonstrates how a comparative approach with a focus
on the setting can shed further light on American Gothic and how intermediality is central to
an aesthetics of horror.

The Territoriality of Global America:
The U.S.-Mexico Border in Contemporary Cultural Production
Organizers: Birgit Spengler, University of Wuppertal; Markus Heide, Uppsala University,
Eva Zetterman; University of Gothenburg

The U.S.-Mexican border is a place where the territoriality of law (Giorgio Agamben, Homo
Sacer) and ideas of state sovereignty intersect with the push and pull factors of globalization
– and, thus, a site where structural and systemic problems that underlie processes of inclusion
and exclusion violently come to the fore. It is an area where neoliberalist practices (cf. Aihwa
Ong, Neoliberalism as Exception), the militarization of policing forces (cf. Reece Jones,
Violent Borders), and the suspension of civil liberties (cf. Todd Miller, Border Patrol Nation)
threaten to create Agambian “states of exception” on both sides of the national divide and
where security technologies not only materialize as a new boom industry but also provide a
taste of possible futures. At the same time, the borderlands have always and continue to be a
contact zone, a place where the continual exchange of people, objects, and ideas not only
manifests the futility of attempts to render the border impermeable, but also the fruitfulness
of the complex interrelations, interdependencies, and interactions that result from its
permeability. As such, it is a terrain that has – and continues – to challenge us to move
beyond conceived patterns of political and academic compartmentalization and to view our
existence and cultural production as “relational” and “globally embedded” (Judith Butler,
Precarious Life) rather than sovereign – an approach exemplified, for example, in interAmerican,
transnational, and hemispheric studies.

Following the SAAS’s 10th Biennial Conference’s thematic emphasis, we are looking for
proposals that focus the ways in which recent border art, broadly conceived, addresses the
United States’s course between “isolationism and internationalism, openness and closure,
migration and borders, exceptionalism and universalism” by exploring, problematizing, and
negotiating the state and status of the U.S.-Mexico border.

Calling for proposals for a new monograph series with Edinburgh University Press:

Modern American Literature and the New Twentieth Century

Series Editors: Martin Halliwell (University of Leicester) and Mark Whalan (University of Oregon)

EUP Commissioning Editor for Literary Studies: Michelle Houston

The concept of ‘newness’ was central to early modernist attempts to differentiate their writing from literary predecessors of the nineteenth century. Often incorporated into manifestoes and slogans, newness was not just a major aspect of modernist fiction, poetry and drama, but runs through American literature of the twentieth century. Focusing on perspectives that help to better understand the shifting aesthetic, historical, geographical and ideological values of the terms ‘new’ and ‘modern’, this series takes a revisionist approach to twentieth-century literary production in the United States. Its focus on technique looks both inwards to the craft and form of writing, and outwards to interdisciplinary approaches to literary production within a matrix of cultural practices. The editors welcome proposals for theoretically innovative and historically revisionist monographs that illuminate change and continuity within literary practice and that interrogate received literary-critical categories. This series of quality monographs critically questions boundaries and concepts that have come to define the production, reception and appropriation of modern American literature.

Current contracted titles:

Writing Nature in Cold War American Literature
Sarah Daw

F. Scott Fitzgerald’s Short Fiction and American Popular Culture: From Ragtime to Swing Time
Jade Broughton Adams

The Big Red Little Magazine: New Masses: 1926-1948
Susan Currell

The Literature of Suburban Change in Late Twentieth-Century America
Martin Dines

US Modernism at Continents End: Carmel, Provincetown, Taos
Geneva Gano

The Reproductive Politics of American Literature and Film, 1959-1973
Sophie Jones

Ordinary Pursuits in American Writing after Modernism
Rachel Malkin

Sensing Willa Cather: The Writer and the Body in Transition
Guy Reynolds

The Plastic Theatre of Tennessee Williams: Expressionist Drama and the Visual Arts
Henry I. Schvey

The Labour of Laziness in Twentieth Century American Literature
Zuzanna Ladyga

Contact Details:

Michelle Houston: Michelle.Houston@eup.ed.ac.uk

Martin Halliwell: mrh17@leicester.ac.uk

Mark Whalan: whalan@uoregon.edu

https://edinburghuniversitypress.com/.