Irish Association for American Studies Annual Conference 

University College Dublin 

1-3 May 2024 

Conference Theme: “Dis/Trust” 

Keynote Speakers: Dr Imaobong Umoren (London School of Economics) Prof. Johannes Voelz (Goethe-University Frankfurt) 

“In God We Trust.” While these words, printed on every coin and banknote issued by the Federal Reserve, evidently speak to the importance of religion in the United States, they also acknowledge the centrality of trust to America’s self-image. Even for those thinkers whose interests have been more secular than religious, the special status and nature of social trust in the US has been a subject of comment and debate. In Democracy in America (1835/1840), Alexis de Tocqueville praised the American culture of voluntary association as an antidote to the loss of trust that came with the decaying of the old regimes and rising class conflict in Europe. In the late twentieth century, neo-Tocquevilleans including Francis Fukuyama (Trust, 1995) and Robert Putnam (Bowling Alone, 2000) argued that the high-trust character of communal life was crucial to American success but that it was coming under renewed threat in an age of economic globalisation. Today, the increasingly polarised quality of American cultural and political life, fuelled by bitterly contrasting media narratives, seems to indicate that social trust is indeed breaking down. 

Yet to view the US as a high-trust society in present-day decline also involves overlooking those who have historically been excluded from its networks of social trust. While the American dream has traditionally offered immigrants a reason to trust in the possibilities of their new lives, American reality has often inculcated distrust more than trust. For marginalised and racialised groups – including but not limited to Native Americans and African Americans – it has been particularly difficult to trust in the benevolence of an American state founded on their destruction and enslavement, and to feel part of a shared history in which promises have been broken and treaties disregarded. The expansion of American Studies into a transnational and hemispheric discipline over recent decades has also drawn attention to trust and distrust of American power, particularly in the history and cultural production of peoples who have fallen within the ambit of that power.

Trust can be described as a feeling, an attitude, an atmosphere, or a relationship (Baier 1986, Hosking 2014). It has been considered a means to reduce modern complexity (Luhmann 1973), a cognitive-emotional coping mechanism that facilitates action in situations of uncertain outcome (Schloss 2021). Although a regular subject for social scientists, the fact that trust tends to be invisible and unconscious (especially when functioning well) makes it an equally appropriate subject for the humanities. Social trust provides “the ethical substance of everyday life” (Bernstein 2015) and becomes most evident only in its absence, when what was previously trusted becomes open to question. The present moment in the United States is arguably defined by a heightened consciousness of issues of trust and distrust: we invite papers that address this moment, but we are equally interested in papers that consider dis/trust at other moments in American history and culture. 

We welcome papers on the general theme of “Dis/trust” from all disciplines in American Studies, broadly defined. Possible paper and panel topics may include but are not limited to: – American histories of dis/trust 

– Literary histories of dis/trust 

– Dis/trust and American politics 

– Dis/trust and the visual arts 

– Dis/trust and disinformation 

– Interpersonal, institutional, and distributed trust in the US 

– Digital ecologies of dis/trust 

– American experiments in trust 

– Paranoia and dis/trust 

– Dis/trust, economy, finance 

– Dis/trusting American power 

– Dis/trust and the racial imaginary 

– Dis/trust in/of the American academy 

– Gendered histories of dis/trust 

– Queer(ing) American dis/trust 

Abstracts of 200-300 words for 20-minute papers, along with an author bio of c.100 words, should be submitted by attachment to trust.ucd@gmail.com by 1st February 2024. We also welcome joint proposals for panels of three papers, or panels with innovative formats. Applicants will be informed by the end of February as to their acceptance for the conference. 

The IAAS is an all-island scholarly association dedicated to promoting interdisciplinary American Studies in Ireland. We are dedicated to equality, diversity, and inclusion, and we welcome proposals from under-represented groups. We also encourage proposals from researchers who are based at institutions around the world, whose research stems from a variety of disciplines and languages, and who are at any career stage. Some IAAS bursaries are available to support the participation of early career and precariously employed researchers. You can apply for these at the IAAS website: https://iaas.ie/bursaries/ 

All presenters must be members of the IAAS to register for and attend the conference. More information is available here: https://iaas.ie/memberships/. 

This conference is held in association with the Irish Research Council-funded project “Imaginative Literature and Social Trust, 1990-2025.” The website is: www.trustlit.org.

CALL FOR PAPERS:

The Spatial Imagination in Postwar and Contemporary

American Literature and Art

A two-day international conference at the University of Strasbourg funded by the Institut Universitaire de France

Dates: 21-22 March 2024

Venue: University of Strasbourg, France

Confirmed keynote speaker: Dawn Raffel is a writer whose most recent book is Boundless as the Sky (2023).

Other keynote speakers TBC.

Seen as an emblematic feature of the United States, American space has been represented, interpreted and questioned along multiple lines. Yet, these lines of critical inquiry often remain separate and discrete, treated from perspectives that do not take into account their interaction. They are also spelt along a particularly white, male trajectory. While it is generally agreed that ‘space’ is a major component of the American imagination, literary representations and artistic practices of space in postwar US have rarely been treated together as intersecting narratives. This conference sets out to consider postwar and contemporary conceptualizations and material practices of space in American literature and art, with the prospect of opening larger and more interdisciplinary vistas. The conference builds on the 2018 conference in Paris on The cartographic imagination. Art, literature and mapping in the United States, 1945-1980.

What are the prevailing and the underrepresented spatial imaginaries in postwar and contemporary America, and how are they represented in literature and art? How do these expressions relate to various Indigenous and colonial traditions of the spatial imagination? How do issues of whiteness, race, and the racial imagination shape spatial practices and imaginaries? What does the dialogue between literary texts, visual studies and art historical practices bring to the understanding of the construction and experience of space in American postwar and contemporary contexts? What are the major paradigms that arise? How do national and transnational, local and global, official and alternative narratives of space intersect in literature and art? How do the contexts of US imperialism and militarization play out in the representation of Cold War and ‘war on terror’ geographies?

We invite proposals that highlight the ways in which literature and art, and more generally literary and art historical studies as disciplines, can be fruitfully and innovatively brought together and made to interact. This conference will be a venue for discussing interdisciplinary and creative methodologies. An important, exploratory aspect of the conference consists precisely in determining the possible intersections between art and literature that deserve to be further explored.

We invite interdisciplinary proposals on the following topics:

• Intermediality and space;
• The legacies of literary and artistic modernisms and their investigations of space;
• Indigenous and minoritised spatial discourses and practices;
• Spatial practice, whiteness, race;
• US militarization, imperialism and Cold War geographies;
• Popular literary and graphic genres and the spatial imagination;
• Liminal spaces, meta-spaces, horizontal and vertical spaces;
• Site-specificity and the disturbance of the gallery and museum;
• Comparative literary and artistic representations of exploration, displacement and exile;
• Alternative constructions of American geography;
• Discourses of place informed by environmentalism and ecology in literature and art;
• The local and the global;
• Mapping and counter-mapping;
• Artists’ writings and artistic practice;
• The digital turn in literature and art, systems, cartographies;
• The notion of “space” broadly (re)imagined.

We invite:

• individual paper proposals for 20-minute papers (abstracts of no more than 350 words, plus 100-word biography)
• panel proposals for 1.5 hour panels (panel abstracts of no more than 350 words, plus paper abstracts of no more than 250 words each, plus 100-word biographies). Panels of no more than 3 presenters are recommended.
• suggestions of interdisciplinary panels or roundtables (a mix of critical and creative practitioners are welcome)

Please submit your proposals and biographies to Gwen Cressman (cressman@unistra.fr) and Monica Manolescu (manoles@unistra.fr) by September 30, 2023.

Registration for the conference will be free of charge.

Organizers: Sandrine Baudry (University of Strasbourg), Chloé Bour-Lang (University of Strasbourg), Gwen Cressman (University of Strasbourg), Catherine Gander (Maynooth University), Hélène Ibata (University of Strasbourg), Monica Manolescu (University of Strasbourg/Institut Universitaire de France), Will Norman (University of Kent).