Deadline for submissions: January 6, 2017

Full name / name of organization: Percival Everett International Society
Contact email: anne-laure.tissut@univ-rouen.fr
The American Literature Association Annual Conference Boston

May 25-28 2017

Percival Everett International Society call for papers

The Percival Everett International Society requests submissions for its panels at the annual conference of the American Literature Association. Submissions will present fresh perspectives on any aspect of Everett’s work, with an emphasis on, but not limited to, his earliest or most recent work.

Please submit brief proposals of no more than 250 words to Anne-Laure Tissut (anne-laure.tissut@univ-rouen.fr) by January 6, 2017, so that they can be reviewed before the conference proposal deadline. Selections will be made by the end of January 2017.

Deadline for submissions: February 24, 2017
Full name / name of organization: Shifting Tides, Anxious Borders (STAB), Binghamton University
Contact email: jfitzge4@binghamton.edu

Shifting Tides, Anxious Borders: A Graduate Student Conference in Transnational American Studies (8th Annual)

Binghamton University

Saturday, April 8, 2017

Keynote: Russ Castronovo, University of Wisconsin-Madison

Deadline for Proposal Submission: February 24th, 2016

“Shifting Tides, Anxious Borders” is an interdisciplinary graduate conference dedicated to exploring the changing contours of the field of American Studies. This year’s conference theme, “Globalizing the Commons, Localizing the Transnational”, focuses on the transnational turn in American Studies in an effort to re-think the field imaginary, paying particular attention to the intersecting sites of identity, community, nation, and globalization along with the methodological trajectories which make these sites legible. Keeping in mind recent anthological interventions—Globalizing American Studies (2010), Re-Framing the Transnational Turn in American Studies (2011), and American Studies as Transnational Practice (2015), to name just a few—the conference seeks to investigate the conditions through which discussions of the transnational dialectically broaden the scope of the field while underestimating the nuances of the local, and, by the same concern, how local attentiveness precludes visibility of global, coalitional resistance.

In keeping with this year’s focus, we seek papers concerned with the relationships between conceptions of the local, national, and the global, as well as the liminality inherent to the delineation of these spaces. In lieu of examining the well-trodden ground of ‘the state of the field’ and resonant attempts to redefine American studies itself, we encourage papers that attend to more interdisciplinary limits of subjectivity, the state, and global community. We seek papers that localize the transnational, totalize the provincial, and speak to the constituting horizons necessarily produced by these methodologies.

Redolent questions include: How does the global trajectory of capitalism become individualized in neoliberalism? What are the resonances between the global war on terror and the militarization of local police forces? How do identitarian frameworks potentialize coalition while restricting conditions of belonging? More broadly speaking, when considering the roots of the transnational turn are found in the transatlantic, how can we resituate and trouble Occidental cultural dialogues between the United States and Europe? Finally, how is the totalizing schema of the anthropocene configured along local and global registers, and how does this schema’s ontological?

To submit a paper proposal, send a 250-word abstract to shiftingborders@gmail.com. To submit a panel proposal, include the names and email addresses of three participants, with individual paper abstracts and a 150-word abstract uniting them. Possible topics include, but are not limited to:

Archipelagos and the Transnational Pacific
The Speculative Limits of Finance Capital
Racialized Transatlantic Histories and Communities
Mapping Subject and Species through Biopower
Relationships between Isolationism and American Empire
Feminist Coalition / Resistance and Co-opting Identity
Trauma in the Local/Transnational Sites of War on Terror
Localized Translations / Globalized Dialects
Multiculturalism, Cosmopolitanism, and the Individual
Dronification as / and Destabilized Imperial Violence

Deadline for submissions: January 15, 2017

Full name / name of organization: New England American Studies Association
Contact email: kathryn.edney@regiscollege.edu
New England American Studies Association (NEASA)– Call for Papers

Hoaxes, Humbugs, Pranks and Play: Functions and Expressions of Foolery in American Society and Culture

March 10-11, 2017

Boston University

The New England American Studies Association’s (NEASA) annual spring conference offers an opportune moment to pursue connotations of playfulness and trickery, and of enjoyment and leisure. The emergence of myriad manifestations and sites of playfulness across social sectors has profoundly impacted American society and culture. Childhood has become a playful time to be treasured; diversionary activities have come to dominate cultural products; even nostalgia has acquired a pronounced lucidity. Play is also big business: gaming, sports, and other recreation activities are their own sectors of the economy. We therefore invite contributions that interrogate, reflect on, and celebrate the changing functions and sites of playfulness and trickery in American society and culture.

Topics to consider include:

The material culture of play (boardgames, cards, videogames, etc.)
Tricksters in literature
Hoaxes and humbugs in history, politics and popular culture
“Playing” in archives and the joys of research
Playfulness and pedagogy
Gamification
The disruptive power of play
Children at play
Leisure culture
Sports and play
April Fool’s Day (history, popular culture representations, etc.)

In addition to individual paper proposals, we welcome submissions for roundtable discussions, hands-on workshops, and alternative format sessions (e.g.: film screenings, 5-minute micropapers). Submissions that do not address the conference theme will also be considered.

Individual proposals should include: 150-200 word abstract, presentation title, name, institutional affiliation, and contact email. For panel/roundtable proposals, in 200-500 words, please provide: session title, its topic, format, individual paper titles (as appropriate), as well as the names, institutional affiliations, and contact emails for each individual participant. All submissions should be sent to: neasacouncil@gmail.com by January 15, 2017.

For more information regarding NEASA, please visit our website: http://newenglandasa.tumblr.com/

Deadline for submissions: January 27, 2017

Full name/name of organization: Comics and Graphic Narrative Circle at American Literature Association
Contact email: aberinger@montevallo.edu
Call for Papers

Comics & Graphic Narrative Circle

American Literature Association

28th Annual Conference: May 25-28, 2017

The Westin Copley Place

10 Huntington Ave, Boston, MA

The Comics & Graphic Narrative Circle welcomes abstracts for presentation at two sessions on comics at the 2017 ALA conference in Boston.

Session One: Queering Comics History

Several recent high profile developments in comics and graphic narratives have revolved around various iterations of queerness. Alison Bechdel’s autobiography Fun Home has scooped up numerous awards on its way to becoming a canonical text of LGBTQ literature while mainstream superhero comics have queered their own canon with queer re-imaginings of characters such as Catwoman and Iceman. But queerness is nothing new for the genre, whether it be the explicit activism of Underground Comics in the 1970s or metaphorical explorations of non-conforming identity and desire that appear in mass produced works ranging from Terry and the Pirates to Archie to The Fantastic Four.

This panel looks to compare approaches to queering the history of comics and graphic narratives. We thus invite papers that engage with a broad spectrum of queer moments in comics history and styles of reading queerness in comics and graphic narratives. Topics may include (but are not limited to):

Comics and graphic novels that enact queer possibilities in terms of gender and sexuality, as well as a wider array of designations such as body image, friendship, marginalization, oddity, and so forth.
The role of LGBTQ artists and writers in the history of comics and graphic narratives.
How the activity of queering comics history might change our view of the periodicals and other sources in which comics and graphic narratives appear.

Session Two: Transnationalism and American Comics

(Co-sponsored with The Research Society for American Periodicals)

North American comics have always drawn heavily on the comics traditions of other countries, and have in turn circulated around the globe. To give just a few examples: in the 1890s The Katzenjammer Kids reimagined the German Max und Moritz picture stories for American newspapers, in the late 1920s the style of George McManus’s Bringing Up Father became a crucial influence on the “clear line” look of Herge’s Tintin, in the 1980s British writers such as Alan Moore and Neil Gaiman redefined the parameters of American comic books, and in the 2000s Bryan Lee O’Malley drew his Toronto epic Scott Pilgrim in the idiom of manga. Recent initiatives such as the edited collection Transnational Perspectives on Graphic Narratives (2013) and the University of Florida’s 2016 Comics and Graphic Narrative Conference on “Transnational Comics” illuminated many of the ways that comics cross national borders. This panel seeks to extend that work, asking what new insights are to be gained by thinking about American comics from a transnational perspective. Topics may include (but are not limited to):

The direct influence of work from non-North-American comics on the work of North American comics creators, and vice versa, and how these might reshape our understanding of comics history.
International comics projects involving North American artists.
North American comics that take transnational exchanges as their subject matter, and non-North-American comics about North America.
The tensions around comics as a means of projecting the cultural power of the United States—in Canada, Argentina, Mexico, Italy, Japan, the UK, or elsewhere.
The particular challenges of a transnational approach as a way to study comics, and the place of graphic narrative in debates over transnationalism as a methodology.
Consideration of the influence of manga and anime on the current generation of American comics creators, and how this might change our understanding of contemporary comics publishing.

Please email an abstract (of no more than 350 words) and a brief biographical note to Ben Novotny Owen (owen.179@osu.edu) no later than Jan 27th.

Deadline for submissions: March 1, 2017

Full name / name of organization: Thoreau Society
Contact email: rjohnson@collegeofidaho.edu
Thoreau and Material Culture – gaurenteed session at MLA 2018

How do material objects enrich our understanding of Thoreau’s literary, natural-history, and politically-minded endeavors? How might tangible things deepen our sense of the author’s work, life, and world? What insights can we gain by recovering objects associated with his work, home, and place? The Thoreau Society invites abstracts of 250 words and a brief cv by 1 March 2017: Rochelle Johnson (rjohnson@collegeofidaho.edu).

Deadline for submissions: January 1, 2017

Full name / name of organization: Thoreau Society
Contact email: kristen.case@maine.edu
American Literature Association panel

28th Annual Conference, Boston, MA

May 25 – 28, 2017

Thoreau, Poetry, Poetics

As recent work by poets such as Christina Davis (An Ethic, Nightboat, 2013) and Cecily Parks (O’Nights, Alice James Books, 2015) makes clear, Thoreau has been an important source for contemporary American poetics. This poetic interest in Thoreau is especially interesting given the relatively scant scholarly attention Thoreau’s own poetry has received. Where might we locate a Thoreauvian poetics? Does Thoreau’s poetry correspond to it? This panel invites both papers that consider Thoreau’s poetry and papers that explore the role of Thoreau’s writing in American poetics more broadly. Please send queries or one-page abstracts (for an 18-minute presentation) by January 1, 2017 to: kristen.case@maine.edu.

The First International Conference of the Association for Literary Urban Studies

23–24 August 2017

University of Tampere, Finland 

In the wake of two successful international conferences under the auspices of the Helsinki Literature and the City Network, we are welcoming scholars interested in urban writing to the first international conference of the Association for Literary Urban Studies (ALUS), to be organized at the University of Tampere, Finland. 

This inaugural conference will be devoted to the theme of possible and impossible cities, the links between them, and the complex relationships between city imaginaries and real-world cities. This topic acknowledges the debt that literary cities owe to real-life city plans, and the similar debt that visions of urban development owe to the imaginary scenarios put forth in fictional narratives. The conference theme straddles a variety of fields, including literary urban studies, urban planning theory, cultural geography, and future studies. The two keynote speakers of the conference are Ayona Datta (King’s College London) and Eric Prieto (University of California, Santa Barbara). 

In the sense that cities are sites for envisioning the future, questions of possibility and potentiality have always been prominent in urban theory. In the last sixty years, such queries have often taken the form of re-imagined political geographies and approaches to what constitutes ‘the good city’, including Henri Lefebvre’s conceptions of the ‘right to the city’ and ‘the urban revolution’, David Harvey’s ‘spaces of hope’, and Jane Jacobs’s call for cities to build on their community assets. But utopian features in imaginations of the city (from Plato onwards), as well as fantastic elements in even the most realistic city literature (in Victor Hugo’s Paris, for example) have not only drawn attention to what life can learn from literature, they have also problematized the relationship between imagined cities and their real-life counterparts. 

In literary history, a long continuum of cities that stretch the limits of the possible runs through the work of writers from Thomas More, Alexander Pushkin, and Italo Calvino to contemporary speculative fiction, including twenty-first-century dystopias and urban climate fiction. Like Calvino’s no-longer-possible miniature versions of the city of Fedora, displayed in crystal globes in a section of Invisible Cities, some fictitious cities represent alternative futures conceivable at a specific moment in time. Other literary cities, such as the London of Neil Gaiman’s Neverwhere, are impossible from the outset but draw attention to everyday urban potentialities in ways that demand attention. Yet others would seem to represent something akin to real-life cities but cannot – due to their very identity as linguistic, imagined constructions – avoid engaging with the (im)possible. The examination of literary cities as impossible (imaginary, non-existent) or possible (future, alternative, desirable) thus also encourages reflections concerning the referentiality of literary cities. The conference ‘(Im)Possible Cities’ seeks new approaches to these intertwinings of possibility and impossibility in cities and texts. 

We invite papers on subjects including, but certainly not limited to, the following themes: 

  • literary expressions of urban utopianism
  • urban utopias and dystopias
  • theories of (im)possibility and cities
  • visionary thinking and literary cities
  • ideal literary cities
  • future studies and literary urban studies
  • (im)possible cities and postcolonialism
  • referentiality and the literary city
  • city imaginaries and urban branding and/or urban planning
  • readerly experiences of (im)possible cities
  • enactivism and the literary city
  • links between literature and the conceptual/imagined cities of architecture and film
  • modernist and postmodernist cities
  • literary cities and the surreal 

The deadline for paper proposals is 31 March 2017. Please submit proposals (approximately 300 words) via the online form at https://www.lyyti.in/impossiblecities2017_callforpapers. 

Further information will be posted on the conference website at www.uta.fi/conference/impossiblecities2017. 

The language of the conference will be English, but papers focusing on literature in any language in any part of the world are welcome. In addition to literary scholars, it is very much hoped that researchers from other disciplines will be interested in taking part. These could include, but would not be limited to, the following: cultural and historical geographers; urban sociologists, historians and planners; workers in visual studies, cultural studies and art and architecture studies. The conference will take place in Tampere back to back, and in collaboration, with another urban studies conference, Re-City 2017, with a focus on architecture and planning.

The first HLCN conference resulted in the collection of essays Literature and the Peripheral City (Palgrave Macmillan, 2015), and a comparable volume premised on the theme of the second conference, literary second cities, is in preparation. For more on the previous two conferences, see http://blogs.helsinki.fi/hlc-n/conference/ and http://www.abo.fi/fakultet/hlcn2. The first ALUS conference ‘(Im)Possible Cities’ will continue to develop literary urban studies in a way that crosses borders and challenges traditional divisions within the academy. 

For more information contact:

Markku Salmela, University of Tampere (markku.salmela@uta.fi)

Lieven Ameel, University of Tampere (lieven.ameel@uta.fi)

Jason Finch, Åbo Akademi University (jfinch@abo.fi)

 

On September 14-16, 2017 the Western Lands & People Initiative at Montana State University in Bozeman, with the College of Letters & Science and the MSU Library, will host the symposium to celebrate the work of Ivan Doig and the acquisition of his papers by the university. The organizers invite proposals for papers and presentations that address the literature, history and geography of Montana and the West that Doig explored in his memoirs and fiction. Work need not directly address Doig’s writings, but should allow participants to enter into a broad discussion  of the connections between landscape and human experience, history and fiction, or what close observation and attention to place contribute to the various disciplines that engage us as scholars and as readers.

Further information can be found at http://ivandoig.montana.edu/symposium-2017/

 

CFP for a Special Issue of Resilience: A Journal of the Environmental Humanities

“Imagining Alternatives”

From Afrofuturism to dystopian, apocalyptic fiction to alternate history to ecofeminism and cli-fi, authors of speculative fictions have been interrogating alternative worlds in literature, film, television, comic books, and video games. These visions give us access to alien planets as well as alternative perspectives on our own pasts, presents, and possible futures. They reflect our hopes and fears; they offer new narratives of race, class, gender, sexuality, and nationality; they suggest the magic and the horror embedded in our own realities.

This special issue of Resilience: A Journal of the Environmental Humanities invites authors to interrogate imagined alternatives to existing systems of knowledge and distributions of power. We are interested in submissions engaging with a wide variety of subjects, genres, mediums, time periods, and national origins: from cyberpunk to steampunk, and from Gothic fiction to fan fiction. We also want to encourage authors to imagine alternative formats for their own work. In addition to traditional essays, we will also consider roundtables, interviews, photo essays, web comics, YouTube videos, Flash animations, web-based games, and other creative works.

To be considered for inclusion in the special issue, submit your work via the Resilience website (http://www.resiliencejournal.org/publishing-in-resilience/submission-form/) by June 1, 2017 for publication in the fall of 2017. Be certain to indicate in the abstract that you are submitting a piece for the “Imagining Alternatives” special issue.

Please direct any questions about the special issue to Megan Condis via email at megancondis.gmail.com or on Twitter @MeganCondis.

Proposals are invited for the thirty-eighth American Indian Workshop, to be held at Goldsmiths, University of London from July 4-6, 2017. Papers are welcome from all fields and on any topic, though priority will be given to those that speak to the conference’s key theme.

This year’s conference will focus on the art of resistance and resurgence in the broadest terms. This includes manifestations of activism, political insurgency, conservation work, language and cultural revitalization, cultural resurgence and historical and anthropological analysis alongside more literal literary and visual representations and occasions of resistance. Resistance, similarly, may be interpreted broadly (to settler colonialism, extra-national imposition, and so on) or more specifically (to pipelines, cultural appropriation, and more).

A number of analyses focusing on the cultural and political concerns of Native American artists have been offered in recent times. Accordingly, many scholars working in the field of Native American Literary Studies have become interested in the connection between aesthetics and activism. The theme of the thirty-eighth AIW has been chosen in recognition of this fact, and the increased amount of attention that is being paid to the intersection between indigenous arts and contemporary tribal contexts. Papers will examine the complexity of the relationship between various artistic mediums and the day-to-day concerns of the Native artist; the relationship between the arts and community; and the aesthetics of resistance and resurgence. We hope that speakers will examine those points of connection, continue the debate concerning the links between indigenous art and cultures, and suggest that resistance and resurgence are discernible within a broad range of work by indigenous writers, directors, musicians and artists.

Topics to consider may include:

Art and activism
The art of Idle No More
Visual and literary responses to NoDAPL (No Dakota Access Pipelines)
Language revitalization
Cultural conservation programmes
Visual sovereignty
Digital arts
Mixed media responses to mineral extraction
Literature and the art of rhetorical sovereignty
Indigenous performance art
Honoring the treaties
Gameplay and tribal arts and languages
Exhibiting indigenous art
Anticolonial/Decolonial art practices
Cultural engagement work
Visual cultures of protest
Indigenising new media
Graphic novels

We may be in a position to exhibit a small number of artworks and therefore invite submissions from visual artists and filmmakers as well as writers and scholars.

Please send proposals of no more than 400 words + brief CV to Padraig Kirwan (p.kirwan@gold.ac.uk) and David Stirrup (d.f.stirrup@kent.ac.uk) by December 15th 2016. Speakers will be notified by January 15th 2017.