The return of the Rust Belt and the populist moment

June 20th, 21st, 2019

Université de Paris-Est Créteil

This conference considers the “Rust Belt” through various thematic, methodological and disciplinary angles. The Rust Belt is a rather loose name for the deindustrialized region around the Great Lakes, encompassing all or parts of the states of Wisconsin, Michigan, Illinois, Indiana, Ohio, West Virginia, Pennsylvania as well as several northwestern counties of New York state.

Because of its mining and industrial past, this region used to be a solid Democratic stronghold, clearly out of the reach of Republicans, at least at the level of presidential elections. Its demographic decline after World War 2 led to a lesser weight in the electoral college and it seemed to have lost any decisive role in nationwide ballots. However, the working class has increasingly drifted away from the Rooseveltian coalition and poor people have seemingly been voting against their economic interest. Moreover, the sense of dispossession and abandonment has contributed to boost populism, as the Trump vote as well as the Brexit vote have illustrated.

In the United States, the 2016 presidential election has unquestionably put the Rust Belt back on the electoral map and has reawakened long-gone media interest in it. Indeed, small majorities in a few Rust Belt states enabled Donald Trump to carry those states and their electors and gave him a majority in the Electoral college, despite trailing Mrs Clinton in the popular vote.

Stanley Greenberg, who identified the “Reagan Democrats” in the 1980s, interviewed the “Trump Democrats” in 2016 – those voters who used to cast ballots for Democratic candidates but chose to support Trump this time. Other investigations have shown that voters in such Midwestern states as Indiana as well as in the Rust Belt could vote for a local Democrat as well as Donald Trump for President on the very same day.

More recently, in March 2018, the victory of “blue dog” Democrat Conor Lamb in a Pennsylvania district that Trump had carried easily in 2016 reignited the debate around the Democrats’ ability to reconquer what had come to be known as “Trump country.”

If populism is not to be found exclusively in deindustrialized areas such as the Rust Belt, it remains clear that “Rust Belts” are fertile soil for populist movements on the left as much as on the right of the political spectrum.

It is in this context of rising populism in the United States and in Europe that the Rust Belt becomes (again) an invaluable object of interest in the political and cultural landscape in the United States. Yet it is also a region that has been undergoing tremendous (urban) renewal, whose economy has adjusted to the new Millennium, far from the Manichean stereotypes of decay and a region that had been long been ignored by journalists and politicians as opposed to the Sun Belt, from California and Texas to Florida and Virginia.

This conference, to be held in June 2019, aims to reexamine the Rust Belt between the midterm elections of November 2018 and the presidential and congressional elections of 2020, where the role of the Rust Belt may again be decisive.

Proposals should try to fit one or several of the following categories:

  • The rebirth of cities and its electoral impact (urban renewal, gentrification, transportation, technological and industrial innovation). Electoral impact is understood at the federal level (Presidency, Congress) and at the local level (state assemblies, especially in cases of split voting, e.g., Trump Democrats).
  • The transformations in the various rings of suburbs and exurbs (demographic, social and political diversification).
  • Economic and health challenges (“deaths of despair,” decreasing life expectancy, opioid crisis) affecting rural communities and small towns.
  • The impact of two years of “Trumponomics” on the US-Canada border in the context of NAFTA and its renegotiation, the transborder connections and fluxes between the US and Canadian metros and provinces.
  • Local political changes, in particular in the context of anti-labor, “right-to-work” laws.
  • The battles around gerrymandering and the partisan distortion of local representation, in the context of Court decision invalidating exaggeratedly partisan maps (Pennsylvania, North Carolina).
  • Energy (coal – clean or not – and shale oil) and environmental issues, as well as their impact on jobs and elections.
  • The perceptions and representations of the Rust Belt in films and TV series since 2000.
  • We also invite comparisons with neighboring regions (the more rural Midwest, Appalachia) as well as with other Rust Belts in Europe (mining regions in Britain, North and Eastern France, the Ruhr in Germany).

Proposals should be about 300 words and a brief bio / bibliographic introduction should be attached.

Deadline for proposals: October 15th

To be sent to the organizing committee:
François Vergniolle de Chantal (Université Paris Diderot), fdechantal@univ-paris-diderot.fr
Lauric Henneton (UVSQ), lauric.henneton@uvsq.fr
Guillaume Poiret (UPEC), guillaume.poiret@u-pec.fr

Scientific committee :
Frédérick Gagnon (Chaire Raoul Dandurand, Université du Québec à Montréal, Canada)
Justin Gest (George Mason University, United States of America)
Lauric Henneton (Université de Versailles Saint-Quentin-en-Yvelines, France)
Denis Lacorne (CERI, Sciences Po Paris, France)
Renaud Le Goix (Université Paris Diderot, France)
Michael McQuarrie (London School of Economics, UK)
Guillaume Poiret (Université Paris-Est-Créteil, France)
François Vergniolle de Chantal (Université Paris Diderot, France)

Melville’s Measures

October 17-19, 2019

Université de Lille, Université Paris Diderot

Keynote Speakers: Branka Arsić (Columbia University); Cody Marrs (University of Georgia) 

 

“The measure! the measure!” cried Ahab.

               Ahab’s exclamation notwithstanding, Moby-Dick more readily calls to mind the longing for the “unshored, haborless immensities” (ch. 32), “indefinite as God” (ch. 23), than down-to-earth measures taken to apprehend or comprehend “the ungraspable phantom of life” (ch. 1). Significantly enough, “if money’s to be the measurer,” Ahab’s doubloon is an ambivalent gold standard, at once the symbol of rampant capitalism that has transformed the world into a “great counting-house,” the effigy of Ahab’s sovereign self and a figure for Ishmael’s continual forging of symbols of his own coinage. Even as it bears the stamp of Ahab’s empire, the gold coin remains a source of numberless speculations for Ishmael. “The measure” is rife with ambiguities.

               Maps, timetables, and other measuring tools may well guide us through Melville’s “voyage[s] hither” into the outlandish (Mardi); we readers still lose our bearings, and much more, along the way. In White Jacket and Billy Budd, states of emergency require that half-measures be ruled out, and if Melville’s works can be read as guidelines or blueprints for a common measure, it is ever yet to come. Of course, in mid-nineteenth-century America, Bartleby would prefer not to copy nor to compute; he already occupied Wall Street, walled-in in an office, entrenched in unrelenting opposition to the reckonings of a “calculating people” (Moby-Dick, ch. 41) and to globalization even before the word gained currency. A telling sign of the times, “Bartleby” remains a measure of our current perplexity in the face of digitalization and all-inclusive quantification.

               The question was, and to a certain extent, still is: What remedial (counter-)measures can be taken in a context of pervasive counterfeiting (The Confidence-Man) when conflicting standards and competing values proliferate and vie for hegemony (Pierre; or, the Ambiguities)? How can latter-day pilgrims orient themselves when old landmarks and familiar coordinates no longer make sense (Clarel)? Is there still a universal unit of measure, a “true” measure and sole criterion that might serve as a litmus test? Melville’s increasing interest in poetry and metrics may have something to do with his desperate search for “forms, measured forms…spell-binding the wild denizens of the wood” (Billy Budd).Can it be that these forms should be but another name for inflexible norms and a smokescreen for the repression of brute forces (Billy Budd)?

               The aim of this conference to take measure of Melville’s grappling with the measureless by surveying the various sets of gauging, computing, measuring instruments designed to circumscribe and contain it. In the end, we may wonder whether Melville’s works amount to an irregular system of sorts or whether measures are bound to anagrammatically “erase sums.” In what sense do they unsettle and even subvert “the art of measuring” advocated by Newton in his Preface to Principia Mathematica? To what extent are they doomed to be appropriated as canonical criteria by academe? If measures re-assume (yet another anagram) the part once played by a unique lost paradigm, what will result from their multiplication? Or, in Melville’s own words, “If Luther’s day expand to Darwin’s year / Shall that exclude the hope—foreclose the fear?” (Clarel)

Panels or individual papers may address, but are not limited to, the following topics:

  1. “Horologicals and chronometricals” (Pierre). Melville’s novels raise key questions of sizes and scales in maps and charts, weights & measures: surveying space, sounding depths, probing deep time, questioning probing into volumetrics, measuring out giant whales in the minutest detail; redrawing scientific taxonomies and systems of measurement as well as anthropometric and zoological classifications. Readers come to be queerly quizzed: How many inches of Ahab’s leg have been incorporated into the belly of the whale? To what extent is man a political animal and/or a beastly brute? What is the accurate ratio? As African American slaves were still subject to the 3/5 (three-fifths) rule, how did such an unstable statistical definition of identity (now a subject, now an object, now an infinitesimal number) challenge one’s sense of personal integrity, of being “an unfractioned integral” (Moby-Dick, ch. 107)?
  2. Alternative measurements: accurate units of measurements like feet, pounds, nautical miles, grades, or degrees yield in front of the unaccountable. What is a mob? Are there shades or degrees of intensity in whiteness, that colorless, all-color je-ne-sais-quoi that evades classifications? Is it possible to characterize and categorize blubber? What does it mean to classify the whales by their volume (like books)? More largely, are even the most accurate measurements not doomed to remain forever indeterminate? Are not measures a grid that involves the erasure of gaps so that the real only surfaces when the whale (which could be read as the “whole”) happens to breach through?
  3. Is Man still “the Measure of the Universe” (Shelley,Prometheus Unbound, Act 2, sc. 4, l.72)? Melville’s Leviathan explores a pluralistic universe in which the non-human looms large and the inhuman, be it the super-human or the sub-human “Not Me,” exceeds the self beyond measure. What does measuring up to the hidden God or dead deities still mean in a universe ruled by chance or haphazard contingencies?
  4. “If money’s to be the measurer, man…” (Moby-Dick, ch. 36). To what extent do Melville’s writings question the power of “the Almighty Dollar” by means of alternative standards of exchange, ranging from the barter systems peculiar to “primitive” societies to belletristic intercourse in American literary circles complicit in a market-oriented society?
  5. A Measure of Justice: triangulating aesthetics, ethics and politics. Cross-examining the Fugitive Slave Act, the Alien and Sedition Act and the enforcement of the Law in the State of Exception. Meting out punishment, adjudicating between coercive measures and measures of clemency, and writing down the literary record of the trials of justice. Exploring the extent to which the toughest disciplinary measures (manacling, lashing, flogging, hanging) may still hold in store unforeseen pleasures (Billy Budd). Accounting for the need for poetic Justice.
  6. Measure for Measure, beyond bounds. Rewriting revenge tragedies, reassessing hubristic retribution and extravagant largesse. Dramatizing the moral tragedy inherent in double-binds.
  7. “Buoyed up by that coffin…” (Moby-Dick, ch. 136). Measuring loss, deprivation and, conversely, the power of possibility.
  8. Symmetry, balance and “ragged edges.” How can we interpret metric patterns and dissonant harmonics? To what extent do Melville’s poems and sense of rhythm in prose redraw the boundaries between metrical rules and free verse and even revisit the notion of tempo?
  9. Correspondences and discordances between fiction, poetry, drama, music and the visual arts. Reappraising high and low productions. Measuring Melville’s canonicity.
  10. “Sans commune mesure”? Critical and cultural translations in and of Melville’s works. Are Melville’s works lost or regained in translation? Are translations and critical interpretations mere sarcophagi or life-buoys similar to Queequeg’s made-to-measure coffin? What does Melville’s text amount to once it has been “transferringly measured” (Moby-Dick, ch. 110)?

 

Deadline for submissions: February 1st, 2019

Contact: melvillesmeasures@gmail.com

Proposals will be reviewed by the Conference committee: Dawn Coleman (Univ. of Tennessee, Knoxville); Agnès Derail (École Normale Supérieure, Paris); Philippe Jaworski (Univ. Paris Diderot); Ronan Ludot-Vlasak (Univ. de Lille); Bruno Monfort (Univ. Paris-Ouest-Nanterre); Mark Niemeyer (Univ. de Bourgogne); Samuel Otter (Univ. of California, Berkeley); Cécile Roudeau (Univ. Paris Diderot)

 

Influence, Disinformation, and Power in Europe and the Americas

International conference organized by the University of Caen, the University of Poitiers, the University of Le Mans, the University of Paris-Nanterre, and the University of Montpellier

January 17th, 18th, 19th, 2019

University of Caen-Normandy France

 

In his book Power: A New Social Analysis (1938), the British philosopher Bertrand Russell wrote: “The fundamental concept in social science is Power, in the same sense in which Energy is the fundamental concept in physics.”

In accordance with Russell, the Power Studies Network will be maintaining its focus on the concept of power in its 5th international conference, but has chosen to widen the scope to deal with its corollaries, namely influence, disinformation, and manipulation.

If power can be defined with regard to an action, a potential or a capacity to “get others to do what we want them to do” (Dahl), the effective use of this potential can be considered as a form of influence. However, exercising an authentic influence on a person or group entails creating an environment in which that influence will be the least questioned or contested. As Weber remarked: “Every such system attempts to establish and to cultivate the belief in its legitimacy.” Authorities exercising power, subject to being called into question at all times, must therefore make use of methods of manipulation that blur the message (whether intentionally or not) in order to attain their objective, namely to reinforce their own legitimacy and maintain their hold on power. As such the exercise of power can have two facets, one seen as acceptable (influence) the other as repugnant (manipulation). And yet, the famous American sociologist Talcott Parsons affirmed that “embedded power is always legitimized,” even by those who do not agree with it. In other words, the very exercise of power (imposed or not) would necessarily confer a sense of political and social legitimacy.

This conference, in continuity with previous activities of the Power Studies Network, will adopt a multidisciplinary approach. This call for papers thus reaches out to research specialists working on the Americas or on Europe from a variety of disciplinary approaches within the social sciences.

Possibilities for papers include:

  • Theoretical approaches on the links between power, domination, influence and manipulation, for example in the field of political sociology, the Gramscian concept of hegemony would offer an interesting perspective.
  • In political science, the study of competing factions in a country’s internal politics, the question of the role, and relative power of lobbies, analyses of foreign policy, studies of regional geopolitics, etc.
  • In sociology, the study of powers and countervailing powers can be seen in an exchange relationship; power becomes a central element in social organization
  • Media studies, political marketing, analyses of disinformation and “fake news” are also fundamental themes of interest with regard to influence and power.
  • Artistic production (painting, music, film, literature) can be analyzed under the lens of power, domination and influence. This production can also be seen from another angle as the means for ensuring power structures and maintaining a regime’s legitimacy.

This conference is open to any proposal offering a new perspective or a new approach to the study of power, influence and manipulation.

Deadline for proposals: September 30th, 2018

To be sent to:
Taoufik Djebali (taoufik.djebali@unicaen.fr); Eliane Elmaleh (eliane.elmaleh@univ-lemans.fr); Salah Oueslati (salah.oueslati@univ-poitiers.fr); Pierre Guerlain (pierre.guerlain@gmail.com); Raphël Ricaud (raphael.ricaud@univ-montp3.fr)

 

 

American Studies in Scandinavia is a respected and traditional (established in 1968) peer-reviewed journal in American Studies. Published by the Nordic Association for American Studies, it is interdisciplinary and multidisciplinary, inclusive to academic specialties as varied as history, literature, politics, geography, media studies, ethnic studies, culture studies, law, economics, and linguistics. We currently draw manuscript submissions from authors around the world. We want to offer an inviting venue for scholars to publish their latest research, express their ideas, and build a sense of academic community. We are seeking exciting and vibrant articles from a broad range of scholarly fields relating to American Studies.
Send your inquiries and manuscript submissions to the editor Dr. Janne Lahti at janne.lahti@helsinki.fi.
If you have a book to review or would like to review one, contact Prof. Pirjo Ahokas at pirjo.ahokas@utu.fi.

 

UNIVERSITY OF BERN, SWITZERLAND

PhD or Post-Doc ASSISTANTSHIP IN NORTH AMERICAN LITERATURE

STARTING 1 JANUARY or 1 FEBRUARY 2019 50% appointment with a minimum salary of circa CHF 39’437 gross per year (about GBP 29’885 / EUR 33’810 / USD 39’475

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Prof. Dr. Gabriele Rippl is looking to select a post-doc or doctoral student (with an MA or equivalent degree) interested in pursuing their post-doc / PhD in North American Literature under her supervision while working part‐time as teaching‐cum‐research assistant in the Department of English at the University of Bern, Switzerland. You should be interested in undertaking research in one of Prof. Rippl’s own areas of interest.

POSITION

▪ 50% PhD or post-doc assistantship starting January 2019 (or February, negotiable).▪ A 50% appointment is equivalent to two and a half days (or 21 hours) a week.
▪ The duties of a PhD/post-doc assistant typically include:

Teaching

  • ▪  One and a half courses per year, at BA level (i.e. three classes over two years with the fourth semester teaching‐free). Post-doc assistants may occasionally teach at MA level.
  • ▪  Courses are either organized as a lecture series or as a seminar, meeting once‐a‐week for 90 minutes.
  • ▪  Semesters run for 14 weeks mid‐Sep to mid‐Dec, mid‐Feb to end-May.

    Service

    ▪ Research support for Prof. Rippl

▪ Modest administrative/service duties for the department and section.▪ The rest of the working week is allocated for your own research.

SALARY

▪ The salary for this position is a minimum of around CHF 39’437 per year (gross)(about GBP 29’885 / EUR 33’810 / USD 39’475).

▪ Salary is subject to modest annual rises in accordance with Cantonal (i.e. local government) policy.

Salary does not include:

  • ▪  tuition fees of CHF 200 per semester (same for all students regardless ofcitizenship) (only for PhD candidate) plus a registration fee of CHF 100;
  • ▪  personal health insurance (roughly CHF 200 to 300 per month depending onage, etc.). Health insurance is compulsory in Switzerland and is not organized by your employer.

    NB: Annual renewal of contract is dependent on satisfactory progress with your (post-)doctoral studies/research project, and on the fulfilment of your core teaching/service duties.

    CONDITIONS

    Doctoral research in Switzerland – like in much of Europe – is thesis‐driven and relies on students being mature, self-reliant, motivated, and well organized. You work under the supervision of a dedicated faculty advisor/mentor and are expected to participate in the research culture of your home department and our allied research centres (e.g. Faculty’sGraduate School). By the same token, you will find yourself with a lot of freedom, independence and collegiality, quickly becoming a valuable member of the department’s academicfaculty/staff.

    For more information about life (including cost of living) in Bern, see:

    www.unibe.ch/research/advisory_services/welcome_center/accommodation/living_in_bern/in dex_eng.html
    www.unibe.ch/landing_pages/doctoral_students___phd/index_eng.html

    For more information about the Department of English:

    www.ens.unibe.ch/content/index_eng.html

    REQUIREMENTS AND FURTHER INFORMATION

  • ▪  The University of Bern strives to become an equal opportunities employer;
  • ▪  You must hold an MA (or equivalent) in North American Literature;
  • ▪  You will need to demonstrate a track record of successful academic study;
  • ▪  You should already have a reasonably well‐developed research proposal;
  • ▪  You should have an outstanding command of written and spoken English; your PhDthesis should be written in English;
  • ▪  While the administrative (and teaching) language of the Department of English is English,the administrative language of the Faculty and the rest of the University is German, and Bern is a (Swiss)German-speaking city. You should either already have some competence in German, or actively commit to learning German when you arrive. The University of Bern provides courses for learners of German;

▪ To be eligible for a doctoral assistantship, you must meet the University of Bern’s basicadmission criteria for doctoral study: www.unibe.ch/studies/programs/doctorate/application/index_eng.html

▪ Non-Swiss candidates will be responsible for applying for relevant work permits/visas.

DEADLINES
To apply for one of these assistantships, please submit by 30 September 2018, the following

materials as a single PDF:

  • ▪  a cover letter, motivating your application (addressed to Prof. Rippl)
  • ▪  a full Curriculum Vitae/Résumé
  • ▪  the names and email addresses of two academic referees (no letters needed at thispoint)
  • ▪  a research proposal (a minimum of five pages) with bibliographyIn addition, please send a representative sample of your academic writing in English (e.g. your MA thesis or a substantial stand‐alone paper/essay).

    In your cover letter, please explain what your writing sample is and why you have chosen to submit it. Please also explain who your referees are and why you have chosen to ask them for a possible recommendation. Please indicate clearly your citizenship and whether you will be able to begin the assistantship in January 2019. Your materials should be emailed to Prof. Rippl (gabriele.rippl@ens.unibe.ch). Please feel free to contact her in advance of the deadline if you have any questions about these positions.

Deadline for submissions: September 30, 2018
Full name / name of organization: NeMLA, Northeast Modern Language Association
Contact email: jhotz@esu.edu

Kurt Vonnegut’s Artistic Horology: The Problem of Time in Troubled Times

This panel for the 2019 Annual Convention of the Northeast Modern Language Association (NeMLA), to be held in Washington, DC, from March 21-24, 2019, on the occasion of the fifth anniversary of NeMLA, will focus on Kurt Vonnegut’s complex treatment of time in his work.

Throughout his career, Kurt Vonnegut’s unusual examination of time animated complex plot lines, added depth and layering to his characterization, fueled biting social commentary, and posed challenging philosophical questions on matters related to mortality, morality, and the purpose of life. Vonnegut’s fiction and non-fiction addresses the problem of time in troubled times. In this sense, Vonnegut’s art can be viewed as a form of artistic “horology.” The Oxford English Dictionary defines horology as “the study and measurement of time,” a concern integral to Vonnegut’s vision.

Across his fourteen novels, from his dystopian debut Player Piano (1952) to the so-called “stew” of his final novel Timequake (1997), time alterations and unusual chronologies are central. Vonnegut’s short stories and non-fiction works display a similar obsession with time. For instance, Vonnegut begins his last work of non-fiction published in his lifetime, the essay collection A Man Without a Country (2005), with a statement about how his own sense of humor was defined by coming of age in times of trouble: “I grew up at a time when comedy in this country was superb—it was the Great Depression.”

This panel seeks papers related to Vonnegut’s treatment of time in his fiction and non-fiction. Paper proposals may address this theme directly or tangentially. All approaches are welcome.

Paper proposals (250-300 words) must be posted through NeMLA’s online system by September 30, 2018, at https://www.cfplist.com/nemla/Home/login.

The panel description and link to submit an abstract for this panel are available at https://www.cfplist.com/nemla/Home/S/17527

Decision emails will be sent out after the submission deadline, no later than October 15, 2018.  NeMLA requires that accepted panelists pay their membership/registration fees by December 1, 2018, in order to present at the 2019 convention.  Please send any questions about this specific panel to Jeffrey Hotz at jhotz@esu.edu.

Deadline for submissions: September 30, 2018
Full name / name of organization: NeMLA

In Ancient rhetorical theory, ekphrasis refers to the use of language to make an audience imagine a scene. However, the deeper function of ekphrasis, implicit in its descriptive use, is its rhetorical ability to call attention to features of a subject that may be invisible to the physical sense of sight—thus using the visible as a means of subtly exposing or revealing the invisible. The NeMLA session, “To Render Visible: Ekphrastic Mirrors in American Literature,” invites papers that explore how the chiasmic reflections of an ekphrasis reveal the interior subjectivity, ideology and the desire of its author.Please submit proposals to the official NeMLA website no later than 09/30/2018.

Deadline for submissions: September 30, 2018
Full name / name of organization: Commonplace: The Journal of Early American Life

In his influential book Disability Aesthetics, Tobin Siebers makes two interventions. The first is to argue that modern aesthetics has long relied on disability as one of its defining features, even while neglecting to acknowledge this dependence explicitly. The second is to advocate on behalf of a deliberate praxis of disability aesthetics, which “embraces beauty that seems by traditional standards to be broken,” yet shows it to be “not less beautiful, but more so, as a result.” Ask literary scholars who work in the nineteenth century to think of a poet who best exemplifies Siebers’s argument, and few would be likely to name Walt Whitman. Some of the best-known segments in Leaves of Grass indulge in a full-fledged endorsement of able-bodiedness. Indeed, a monotonous virility seems to characterize much of “Song of Myself,” “Children of Adam,”  “Calamus,” and his recently discovered essaysGuide to Manly Health and Training. Look closer, however, and Whitman’s championing of male “Physique” betrays a more complex orientation toward the body. Whitman’s corpus undermines imperatives to inhabit a fully normative physicality. His poems and prose linger in the experience of both physical and affective pain; dismantle the binary of bodily wholeness and partiality; unfold alternative mobilities; and face with unmitigated candor his own familiarity with illness, injury, mortality, and aging. From his Civil War writings to Specimen Days, and Collect, on through to the late clusters appended to Horace Traubel’s 1897 edition of Leaves, Whitman wrote increasingly from the vantage point and on behalf of a disability aesthetics.

Scholars have begun putting Whitman and disability studies in conversation in recent years. In the essay “How Dare a Sick Man or an Obedient Man Write Poems?” Robert Scholnick has demonstrated that while Whitman’s antebellum writing frequently exploits figures of disability to posit a “metonymic” relationship between national crisis and bodily impairment, Whitman’s later writing, especially the prose and poetry inspired by his work as a nurse during the Civil War, demonstrates a shift in his appreciation of individual suffering toward a national culture of empathy. Stephen Kuusisto has called Whitman’s Specimen Days the “progenitor” of the “disability memoir,” “a wholly conscious rendering of altered physicality in prose.” Turning to Whitman’s poetics of bereavement, Max Cavitch has explored the Lincoln elegies for their insistence on combining the debilitating experience of mourning with “the staggering pathos of erotic liberation.” In her recent book The Afterlives of Specimens, Lindsay Tuggle explores Whitman’s connection to theories of mortality, phantom limb syndrome, and practices of embalming to propose that one of the poet’s pivotal concepts is the relationship between flesh and spirit, which displaces the logic of the able body in favor of “ephemerality and spectrality.”

To continue building on this work, Commonplace: The Journal of Early American Life will publish a special issue on Whitman, disability, and conceptions of illness, medicine, and health, in conjunction with the bicentennial celebration of Whitman’s birthday in May 2019. We’re including a list of potential topics below, though we hope to receive submissions that also exceed these preliminary ideas. For scholars and writers interested in contributing to this issue, we are currently seeking abstract submissions of 350 to 500 words by September 30th, sent to donjamesphd@gmail.com and claremul@sas.upenn.edu. Proposed essays may range between 3500 and 6000 words. Acceptances will be made by October 15th, with the expectation of receiving the proposed contribution by January 15th. Please feel free to contact us by email if you have additional queries.

 

Possible topics might include:

 

  • Whitman’s role in the Civil War hospitals, his role as caregiver, his proximity to illness
  • Whitman’s biographical references to “war paralysis”
  • Whitman and phrenology
  • Sex and disability in Leaves of Grass
  • Whitman and old age, his time in Camden, late poems, and deathbed edition of the Leaves of Grass
  • Whitman and mortality/immortality; his extensive preparation for his own death

Deadline for submissions: September 30, 2018

Full name / name of organization: Northeast Modern Language Association
Contact email:

NeMLA Annual Convention – Washington D.C. – 21-24 March, 2019

Since Fight Club earned Chuck Palahniuk notoriety, critical praise and derision and a committed cult following on the heels of the 1996 novel publication and 1999’s David Fincher film adaptation starring Brad Pitt, Edward Norton, Helena Bonham-Carter and Jared Leto, the author and his work have struggled to find critical legitimacy. His reputation, especially at public readings, has been built upon accentuating all the ways grotesque horror can become comically absurd. As he continues to experiment with new forms that transgress not only literary traditions but expectations for his own work, Palahniuk seems to be acutely aware of both his artistic growth and the conflict over his legacy, suggesting that he should be taken more seriously as a 20th and 21st century American literary figure.

In NeMLA 49, the question that was raised was whether Palahniuk’s work was even worth studying. Following on from that discussion, and in light of the publication of his newest novel Adjustment Day, the question is: is Palahniuk worth teaching? What relevance does his work have to our times, if any? What can students learn about writing, literature, or society by reading and analyzing Palahniuk’s texts? How does the author engage with the political, the social, and/or the cultural, and does it even matter?

This panel welcomes submissions that seek to answer these questions. In particular, we are interested in submissions by those with personal experience in teaching Palahniuk’s work. Interested speakers should submit a 250-300 word abstract and short bio through the NeMLA portal by September 30th (decisions will be notified by October 15th): https://www.cfplist.com/nemla/Home/S/17711.

University of East Anglia – School of Art, Media and American Studies

A part-time lectureship has become available in the School of Art, Media, and American Studies to support the development of creative and critical teaching in the area of American literature.

The successful candidate will have experience of teaching creative writing and be committed to teaching excellence. Experience of writing and teaching in the areas of long-form creative nonfiction or for screen or radio would be an advantage.

The role will be to deliver existing modules in American literature and creative writing. In addition, the post holder will take a lead role in pedagogical innovation in this area of the undergraduate curriculum.

This 0.5FTE post is available from 1 September 2018 on an indefinite basis.

The University is a Bronze Athena Swan Award holder, currently working towards Silver.

Apply.