Transatlantic Women 3:

Women of the Green Atlantic

 

Dublin, Ireland

Royal Irish Academy

21-22 June 2018

 

Sponsored by the Catherine Maria Sedgwick Society and the Harriet Beecher Stowe Society

“Since every wind that blows brings to our shores a fresh swarm of these people, who are to form so potent an element in our future national character, it behooves us to study them well, and make the best we can of them.”

Catharine Sedgwick, “The Little Mendicants” (1846)

 

The third meeting of Transatlantic Women will take place in Dublin, Ireland, on 21-22 June 2018 at the Royal Irish Academy. It will focus on Irish/American crosscurrents of the long nineteenth century, on the transatlantic stream of writers, reformers, and immigrants crossing over the Green Atlantic who were engaged in refuting but also perpetuating stereotypes and racist beliefs that troubled Irish-American relations. Such authors as Catharine Sedgwick, for instance, wrestled with contradictory conceptions created of Irish immigrants who appear in many of her writings, including “Irish Girl” (1842) and “The Post Office: An Irish Story” (1843).  In a different context, “An Affectionate and Christian Address of Many Thousands of Women” (1852) pointedly addressed American women as the “sisters” of women from both Great Britain and Ireland; although Harriet Beecher Stowe never traveled to Ireland, she met deputations from that country during her first visit to Europe (1853). In “What Is a Home?” (1864) and “Servants” (1865), she expressed concerns about the Irish in the United States similar to those of Sedgwick.

 

This transatlantic gathering will celebrate, and question, nineteenth-century women who crossed the Green Atlantic, wrote about it, or in other ways connected the United States with Ireland through networks, translations, transatlantic fame, or influence. As Peter D. O’Neill and David Lloyd demonstrate in The Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas (2009), people from Ireland, as well as from Africa and the United States, crossed the Atlantic as slaves and servants, as cultural and political exiles or activists. Many women, active in travel writing, pamphleteering, writing fiction, newspaper articles, speeches, fairy tales, and ghost stories, were promoters of women’s rights and the figure of the New Woman, and were engaged in philanthropy, temperance, abolitionism, social commentary—and simply just in sightseeing and enjoying themselves. Among the most prominent figures to build bridges between the United States and Ireland around activism are such well-known Americans as Lucretia Mott, Susan B. Anthony (on the Irish Question), Frances Willard, Ellen Craft, Ida B. Wells, and the Irish Frances Power Cobbe; among those who have received less attention are, for example, the African American Sarah Parker Remond and the poet Frances Osgood. And the exchange went both ways: fiction by Irish writer Maria Edgeworth, for instance, influenced Sedgwick, among others.

 

The Transatlantic Women 3 conference brings together scholars representing various countries and disciplines to examine the ways in which these women and their ideas moved, how they resisted oppression and created new ways to conceptualize their identities and the reality surrounding them. We welcome presentations on any topic related to nineteenth-century transatlantic women but are especially interested in those dealing with women of the Irish-American nexus. Some of the key concepts include race, stereotypes, assimilation, immigrant reality; conceptualization of space, distance, and identity; movement, and memory—historical and personal.

 

Topics include, but are not limited to:

  • recovering voices of Irish-Americans, or American-Irish women
  • struggles of immigrant women
  • women pioneers, in professions, activism, innovation
  • female networks and sisterhoods—of writers, journalists, travelers
  • women activists (abolitionism, anti-lynching, temperance, women’s rights, peace, white slavery, reform, animal rights)
  • women travelers and their descriptive gaze
  • fictional and realistic descriptions of places, people, and societies
  • women’s articulations of transatlanticism and the Green Atlantic

Abstracts, which should be about 250 words, and a short bio, are due by 1 November 2017. They should be emailed to transatlanticwomen3@gmail.com.

We look forward to yet another stimulating transatlantic conversation with you!

Should you have any questions, please feel free to contact any of the organizers:

Beth L. Lueck (lueckb@uww.edu ), Sirpa Salenius (sirpa.salenius@uef.fi ), or Lucinda Damon-Bach (ldamonbach@salemstate.edu).

 

 

Deadline for submissions: September 1, 2017
Full name/name of organization: The Art of Artertainment: Nobrow, American Style
Contact email: tero.vanhanen@helsinki.fi

Many of our current cultural practices are marked by a union of art and entertainment. Underlined by all-pervasive processes of globalization and digitalization, this union comes in all shapes and sizes, transforming culture so that it can no longer be comfortably classified as high or low, art or genre. Surprisingly, this ‘art of artertainment’ has not, as yet, attracted much scholarly interest. It is with the aim of overcoming this omission that we launch this call for papers.

As editors of a collection titled The Art of Artertainment: Nobrow, American Style, we warmly invite articles that focus on all aspects of American culture, such as literature, television, cinema, music, painting, material culture, photography, theater, and all other that are influenced by the crossovers of highbrow with lowbrow. Of special interest are historical and/or analytical approaches illuminated by colorful studies of cases where art and entertainment come together, written from the perspective of aesthetics, history, sociology, anthropology, art history, communications, digital culture, and the like.

Please send an abstract of minimum 400 words along with a biographical note to both editors, Peter Swirski, Distinguished Professor of American Studies and American Literature (peter.swirski@ualberta.ca) and Tero Eljas Vanhanen, Researcher in American Literature and Culture (tero.vanhanen@helsinki.fi). To coin a slogan, we are looking for highbrow content and reader-friendly, lowbrow style. The deadline for the abstract submission is 1st September, 2017, but feel free to approach us any time.

 

Deadline for submissions: September 30, 2017
Full name/name of organization: Northeastern Modern Language Association (NeMLA)
Contact email: rhancuff@misericordia.edu

Cities occupy physical, psychological, and cultural spaces that function, as Henri Lefebvre argues in The Production of Space, “in the establishment, on the basis of an underlying logic and with the help of knowledge and technical expertise, of a ‘system’” (11). More recently, Stephen Graham’s Vertical (2016) proposes a multi-layered matrix of spatial effects that examines how inequality is built, reinforced, and exhibited in the modern city space. American writers as disparate as Ralph Ellison and Herman Melville have explored urban spaces as psychologically daunting. John Edgar Wideman’s memoir Brothers and Keepers specifically explores how he and his brother moved through different spaces in Pittsburgh and the impact of neighborhood on individuals. This panel will explore how American writers of any era depicted urban spaces in their writings, from the transformation of colonial outposts to bustling metropolises to the gentrification and class homogenization in our current era. It is important to understand city space as constant development and redevelopment and how U.S. writers traced the development of urban centers and the people who built and shaped the identities of those cities even as the cities reshaped the people who moved through their spaces.

Please submit 300 word abstracts by 9/30/2017 to rhancuff@misericordia.edu and please include NeMLA2018 in your subject line.

Deadline for submissions: March 1, 2018
Full name/name of organization: University of Kent, Canterbury, UK
Contact email: sciencesofthemindconference@gmail.com

17-18 July, 2018 – University of Kent

Keynote Speakers: Professor Helen Small, Pembroke College, University of Oxford
Professor Priscilla Wald, Duke University

This conference aims to stimulate a wide-ranging discussion about the interactions between British and American literature, education, and the sciences of the mind between 1850-1950. We welcome paper and panel proposals on any aspect of British or American literature, education and/or the sciences of the mind broadly construed.This conference is part of Dr Sara Lyons’ (PI), Dr Michael Collins’ (Co-I) and Dr Fran Bigman’s (Research Associate) AHRC-funded project, Literary Culture, Meritocracy, and the Assessment of Intelligence in Britain and America, 1880-1920. The project is an investigation of how British and American novelists understood and represented intellectual ability in the period, with a particular focus on how they responded to the rise of intelligence testing and the associated concepts of I.Q. and meritocracy. For additional information, please visit our website: https://research.kent.ac.uk/literaryculture/​ Possible topics include literature and:

*Teaching and Being Taught; pedagogical theory and practice
*Representations of Places of Learning
*Examinations, grades, scholarships, qualifications
*Inequality, Discrimination, and Exclusion in Education
*Academic Success and Failure
*Literacy and Illiteracy
*Intellectuals, Experts, Professionalism
*Autodidacticism, Informal Education
*Varieties of education: aesthetic, classical, moral, religious, scientific, technical
*Learning Styles and Types of Intelligence
*Intellectual ability and disability

As well as literature and:

*Professionalisation/ Institutionalisation of Psychology
*Social Psychology
*Developmental Psychology
*Psychometrics and personality testing
*Physiology and psychology
*Psychological Schools and Controversies
*Psychology and Philosophy
*Experimental Psychology
*Psychiatry
*Sexology
*Parapsychology
*Eugenics
*Language and Cognition

Please submit an individual proposal of no more than 350 words or an outline for a 3 paper panel proposal to sciencesofthemindconference@gmail.com by the 1 March, 2018. Papers will be limited to 20 minutes. Please include your name, a short bio, and email address in your proposal.

Deadline for submissions: August 18, 2017
Full name/name of organization: Emma Newcombe, Boston University
Contact email: newcombe@bu.edu

This proposed panel for the 2018 C19 conference seeks paper proposals on the topic of tourism in nineteenth-century American culture. The panel aims to explore the relationship between tourism and the American landscape. This might refer to tourism’s impact on the American landscape, or how tourists and touristic writers understood and depicted the environment. Papers might also consider how touristic writers grappled with the cultural or political “landscape” of the nineteenth century.

Questions to consider might include: What does tourism discourse reveal about the way authors perceived the American environment? How do different literary genres related to tourism reveal competing or clashing understandings of America? How do authors describe different tourist sites in terms of aesthetic atmosphere? What do the unique (or not unique) aesthetics of different tourist sites reveal about nineteenth-century conceptions of environment, or the sociopolitical climate?

The C19 conference will be held from March 22-25, 2018 at the University of New Mexico. For more information, see http://c19conference.org. Please email an abstract of no more than 300 words and a CV by August 18th to Emma Newcombe (newcombe@bu.edu).

 

Deadline for submissions: July 28, 2017
Full name / name of organization: Centre for Travel Writing Studies (CTWS), Nottingham Trent University/ North American Periodicals Society (NAPS)
Contact email: ctws@ntu.ac.uk

A one-day seminar hosted by the Centre for Travel Writing Studies, Nottingham Trent University, in collaboration with the Network for American Periodical Studies.

Friday 22nd September 2017, Nottingham Trent University, Clifton Campus

Deadline for proposals extended: 28th July 2017

Keynote speaker: Professor Andrew Thacker (Nottingham Trent University)

Organisers: Dr Victoria Bazin (Northumbria University); Dr Rebecca Butler (Nottingham Trent University); Dr Sue Currell (Sussex University); Prof Tim Youngs (Nottingham Trent University)

Confirmed speakers include Dr Claire Lindsay (UCL) and Dr Rachel Farebrother (Swansea University)

This day-seminar will focus on the relationship between North American travel writing and the periodical format. Its primary purpose is to facilitate historical and critical discussion of narratives of travel in North American periodicals.

We invite proposals for twenty-minute papers that examine accounts of travel to, within, or from North America, published in North American periodicals. We also welcome papers on periodicals and travel of Canada, Mexico and the Caribbean.

Topics to be examined in considering the interplay between the travel experience, the written and/or visual record of travel, and the periodical publication of the travel record, may include, but are not limited to:

*Commercial considerations
*Editorial policy and interventions
*Gender and sexuality
*Periodical context and design
*Purpose of travel
*‘Race’
*Readership
*Solo or group travel
*Technologies of transport/mode of travel
*Tourism
*Visual representations

The seminar is a collaboration between Nottingham Trent’s Centre for Travel Writing Studies (CTWS) and the Network of American Periodical Studies (NAPS). It draws on the expertise of both research centres, as well as that of our keynote speaker, Professor Andrew Thacker (NTU), a specialist in modernist magazines and spatial geographies of modernism.

The Centre for Travel Writing Studies (CTWS) was established by Prof Tim Youngs (Nottingham Trent University) in 2002 to produce, facilitate, and promote scholarly research on travel writing and its contexts, without restriction of period, locus, or type of travel writing.

The Network of American Periodical Studies (NAPS) is a research initiative set up by Dr Sue Currell (Sussex University) and Dr Victoria Bazin (Northumbria University). It aims to bring together scholars working on American periodicals (magazines, newspapers and other periodical publications) from a range of historical periods and disciplines.

We welcome papers from scholars at any career stage and strongly encourage postgraduates to submit a proposal for consideration. Paper proposals of c200 words should be sent to ctws@ntu.ac.uk. Early submission is advised.

With grateful thanks to the British Association for American Studies (BAAS) for financial support, we are now able to offer a limited number of travel bursaries and fee waivers for postgraduate students to attend. Priority will be given to those offering papers. Please state at the end of your proposal if you are a postgraduate wishing to apply for help towards costs.

Deadline for submissions: October 1, 2017
Full name/name of organization: Popular Culture Association/American Culture Association
Contact email: taylor13@rose-hulman.edu

Popular Culture Association/American Culture Association (PCA/ACA)

2018 National Conference

Indianapolis, IN

March 28-31, 2018

Call for Papers: American Literature

Deadline: October 1, 2017

The American Literature Area of the PCA/ACA seeks individual papers for presentation at our 2018 National Conference, to be held March 28-31 in Indianapolis, IN at the J.W. Marriot.

Papers may concern any work(s) of American literature in any genre from the colonial era to the early twenty-first century. A range of critical approaches is welcomed: For instance, presentations may consider literary representations, explore historical implications, offer theoretical readings, or examine thematic parallels. Proposals about the intersections of American literature and popular culture—including but not limited to film, music, television, theater, visual arts, and fashion—are encouraged, as are treatments of race, ethnicity, gender, and sexuality in American literature.

Interested individuals should submit a titled, 250-word abstract and contact information—name, institutional affiliation (if applicable), email address, and telephone number—by October 1, 2017. Decisions pertaining to the status of proposals will be communicated within two weeks of receipt.

Proposals must be submitted through the PCA/ACA submission database, which can be found at https://conference.pcaaca.org/. Visit http://pcaaca.org to learn more about the organization.

If you would like more information, or if you have any questions, please contact the American Literature Area Chair:

Corey Taylor, Ph.D.

Associate Professor of English

Department of Humanities and Social Sciences

Rose-Hulman Institute of Technology

5500 Wabash Avenue, CM 91

Terre Haute, IN 47803-3920

taylor13@rose-hulman.edu

James Hussey is a PhD candidate in the School of English at Trinity College Dublin, and was recently elected as one of our Postgraduate and Early Career Representatives.

How did you end up where you are now?

I completed my B.A. (Hons) in Trinity College Dublin in 2013 and, after taking Prof. Stephen Matterson’s “Hawthorne and Melville” course during my final year, I decided that these ostensibly gloomy nineteenth century writers had a pretty good view of things. This inspired me to opt for Trinity’s MPhil in Literatures of the Americas. After trying desperately to stay within the confines of New England I realised there was only one thing for it, and, here I am, over three years later, working towards a PhD on the life and career of Nathaniel Hawthorne, for whom solitude, sherry and good cigars often took the place of companions or friends. Apart from the first of these I haven’t quite got the hang of the latter pair.

Tell us a little bit about your current research interests?

I’m in the penultimate year of a PhD that researches the influence of Jacksonian individualism on the work of Nathaniel Hawthorne. My contention is that Hawthorne’s career and writings were informed and influenced by a societal-acceptance of individualism that transcended mere ethical concerns, and took on identifying qualities for Americans of the era. I have published on Faulkner and Hawthorne respectively, and have contributed to a wide variety of panels, largely on nineteenth century American literature, at international conferences, including the MLA and ALA. Other interests include baseball literature and culture, Thomas Pynchon, Ralph Waldo Emerson and the lyrics of Hank Williams.

Favourite book/film/album?

My favourite book is The Sickness Unto Death by Søren Kierkegaard. I’m not a fancy, big city lawyer usually one for big claims or statements, but Kierkegaard is my vote for best prose writer of the nineteenth century. This work, quite apart from its philosophical implications, is written with wondrous dexterity. It’s a fascinating look at the self from an interesting, unique perspective.

My favourite film is Bill and Ted’s Excellent Adventure. I never get tired of Bill S. Preston Esq., Ted “Theodore” Logan or Rufus, not to mention the fact that “strange things are afoot at the Circle K”. Is it the best film ever? Absolutely not, but it’s unapologetically my favourite.

There are a couple of albums I could choose as a favourite (Ok Computer, Songs for the Deaf, Sea Change), but I’ll go against most critical belief and all sense of public taste or decency and say Be Here Now. Sure, “All Around the World” is nearly 10 minutes long and they probably should have eased up on the arguments (and cocaine), but it was initially considered the most ambitious British album since Sgt. Peppers, and we can all get behind ambition right?

Universities don’t exist. What job would you have instead?

A baseball writer. The “thrill of the grass” as W.P. Kinsella put it. The chance to get paid to do something you love is rare, so to be paid to watch something I love is unimaginable. A beat writer for the Yankees, couple of books on the historical tidbits that the game accumulates. I reckon I’d settle for that.

Who would play you in the movie of your life?

If I was to answer this seriously and ask for a sympathetic portrayal I would go with Casey Affleck. He’s been my favourite actor for years, and after Manchester by the Sea I feel like his next great acting challenge could be that of a PhD candidate/academic.

If Casey passed up on this opportunity to impress the Academy, then a mid-fifties version of Robert Mitchum would do just fine, maybe without the “Love” and “Hate” tattoos on his knuckles.

How did you get involved with the IAAS?

Throughout my MPhil programme in Trinity, the IAAS was advertised as an excellent way to meet like-minded, academically-inclined postgraduate students at symposia, the annual conference, and various other occasions during the year. I, of course, promptly ignored all advertisements and spent the following year, the first of my PhD, wondering at my own foolishness. From the start of my doctorate onwards, I began to engage with the aforementioned events and learned that this organisation provided a friendly, not-at-all sarcastic view of academia, one that encouraged scholarship and participation within a community of emerging students and established professors.

In an alternate universe to question 4, you have somehow ended up establishing your own university. What’s the motto?

“There is a wisdom that is woe; but there is a woe that is madness.” I was tempted to quote Dante, but Melville will do fine – just to welcome the undergraduates on the right note.

We’re all going to call around this evening. What’s for dinner?

Chili con carne. Various dried and fresh chillies, lots of spice, and no kidney beans (blasphemy!).

Who is your hero, academic or otherwise?

I’ll go with Alessandro del Piero. The only time I have ever cried over a “celebrity” was when he injured his ACL against Udinese in November 1998. I can tell you where I was, what I had just eaten for dinner and other strange little details of which traumatic incidents tend to provoke remembrance. My 7 year old brain, attempting to process the Channel 4 commentary, genuinely believed that football was about to end.

Free space! You have about 200 words to plug something dear to your heart/announce plans to take over the universe/tell us about the grand plans you have as a member of the committee…

Well, apart from telling everyone to get on the Jackson-as-comparison train before Trump gets impeached/resigns/couldn’t be bothered, I would implore all students and teachers of American Studies to explore the heterogeneity of approaches that the IAAS brings to an already varied field.

Symposia, conferences, guest lectures, workshops, funding applications; not only is this a list of rejected 1960’s Batman sound effects, it is also an indication of the breadth of opportunity provided by this tireless association. I must also take this chance to ask people to visit and re-visit this website, which is updated regularly and is, truly, a one-stop shop for all things American Studies. It is a resource that cannot be underestimated.

Look out for news about upcoming postgraduate events over the next year, as your representatives, Sarah and I are looking forward to putting together an exciting, fruitful symposium that caters for the diversity of students applying themselves to the study of the Land of the Free, and the Home of the Brave. Of course, we also encourage study of South and Central America, I just got a little hyped there.

XVIII International Hemingway Conference
Hemingway in Paris: “Paris est une fête” . . .
Hemingway’s Moveable Feast
JULY 22-28, 2018

“The Feast in Motion: Paris 2018-Hemingway, nous voilà!
 Conference Directors: H. R. Stoneback & Matthew Nickel
“If you are lucky enough . . . then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.”
George Plimpton, founding editor of The Paris Review and one of the early readers of the manuscript of A Moveable Feast remarked: “I can’t imagine sending anyone to Paris without suggesting that they read the book. It has the hard brilliance of his best fiction.” Consider that homework-to read or reread Hemingway’s A Moveable Feast as you prepare to attend the not-to-be-missed once-in-a-lifetime 18th International Hemingway Conference in Paris July 22-28, 2018. Plans for the Paris Feast are very much in motion. If we haven’t firmly convinced you yet that you really must be there in July 2018, what shall we say here? Come to the City of Light (not Lights; it’s about Enlightenment not Electricity-but the luminous lights of La Ville Lumiére are pretty spectacular, too). Come to La Capitale de la gastronomie, de l’art de vivre, de la mode, de l’amour; come to what is often called “the most beautiful and most visited city in the world”; or come because you just want to be there with Hemingway, in Paris, the place that he called “the city I love best in all the world.” Come, too, because the conference offers the opportunity to celebrate the Centenary of the End of The Great War. Come and say with Hemingway and over 4,000,000 Americans mobilized for that war: “Lafayette, we are here!” (No, General Pershing did not say it. The moving story of who first said it, when and where, is told in many books, on many websites.)  And now, some announcements and practical matters:
SpeakersWe are delighted to announce that Terry Eagleton, one of the world’s leading writers, literary critics and public intellectuals, author of more than 45 books, has agreed to be a featured speaker at the conference. We are also excited to announce that Adam Gopnik, leading writer for The New Yorker for decades and author of Paris to the Moon and many other works, will be a featured speaker.We await the resolution of our invitations to other potential featured speakers-from Milan Kundera to Jean Echenoz and Patrick Modiano. We will also have an all-star lineup in special sessions featuring the authors of new and recent books on Hemingway.
Conference Papers:  As the conference Call For Papers stresses, we invite not just papers that may deal with Hemingway and Paris or Hemingway and the World War(s) but also presentations on the widest possible range of topics. The deadline for abstract submissions is Aug. 30, 2017. We look forward to receiving your abstract soon.
Special Events: We are currently in negotiations regarding special events-the Opening Reception, the PEN-Hemingway event, the Closing Banquet-to be held at some of the world’s most spectacular venues. Watch for announcements soon. We will also hold special academic plenary sessions in one of the legendary amphithéâtres of the Sorbonne.
   
Location and Paris Site Coordinators: The American University of Paris (AUP) is our host institution and our Paris Site Coordinators are AUP Professors Alice Mikal Craven and William Dow. AUP is located in the 7th Arrondissement, often called the safest and most serene quartier in the heart of Paris.
   
Lodging:  We will shortly post on the website the AUP list of lodging in the 7th Arrondissement, within walking distance of our meeting spaces and with costs as low as around 130 Euros a night. As we’ve noted before, contrary to popular myth, Paris does not have to be an expensive city when you know the terrain, and a number of 2-Star and 3-Star hotels near AUP will cost less than lodging in Oak Park (2016) and Venice (2014).
American literature is inconceivable without Paris, without the feasts of Hemingway and all the others in the Capital of Modernism. Did Gertrude Stein say it best: “Paris, France is exciting and peaceful . . . Paris was where the 20thcentury was” (Paris France). Or did Hemingway say it better: “There is never any ending to Paris . . . Paris was always worth it and you received return for whatever you brought to it.” (A Moveable Feast).
See you in Paris next summer, where we will raise our glasses and proclaim: Hemingway, nous voilà-Hemingway, we are here!

 

CONFERENCE ANNOUNCEMENT AND CALL FOR PAPERS

PRECARITY, POPULISM AND POST-TRUTH POLITICS

 1-3 February 2018

Universidad de Córdoba, Spain

 

This three-day event—a two-day conference followed by a workshop on the third day—aims to interrogate the multiple and overlapping global processes underlying three emergent relational fields or modes of enquiry: precarity, populism and post-truth politics. As a network, we are committed to the pursuit of arguments and ideas that will foster articulation of research questions and positions and the construction of one or more interlinked, interdisciplinary projects. We seek to identify the interconnections between precarity, populism and post-truth politics in ways that will enable the development of cross-cutting thematic and theoretical approaches to these manifestations of global inequality, injustice and tension.

Judith Butler first introduced the concept of precarity in Precarious Life: The Powers of Mourning and Violence (2004), defined as a type of precariousness by which human life can be understood from a collective, communal and interdependently political point of view. Whereas all lives are born precarious—i.e. vulnerable and hence finite—precarity refers to a “politically induced condition” (2009, 25) derived from (in)action on the part of social and economic systems, usually maintained by nation-states, which fail to protect human lives from physical impairment for reasons such as disease, poverty, starvation, or political violence. In a similar way poverty also has been reframed by Amartya Sen and Martha Nussbaum,[1] as not just material deprivation but a failure of the world system, due to social cultural exclusion, lack of agency and access to rights and capabilities.

In these contexts, a new form of populism has recently emerged, albeit not unprecedented in history, as a powerful social response, tainted by xenophobia, which emphasises the need for protection against perceived threats to national security, health and well-being, employment and living standards. More peripheral groups, often aided by Non-Governmental Organizations, independent associations, Refugee Councils or other transnational agencies, have traditionally been targets of populism; but recently more affluent social sectors have also begun to experience conditions of precarity, to demonstrate hostility towards immigrants, and to demand sovereignty, as with Brexit, or secession, as with Catalonia in Spain. Examples include the European austerity policies and the emergence of right wing political parties and pressure groups such as UKIP, the Front National (France), The Golden Dawn (Greece) and the Freedom Party (Netherlands), which both foster and are symptomatic of the opposition between the haves and the have-nots. This growing fracture entails the dehumanization and/or reification of the Other, rendering asylum seekers, illegal migrants or refugees—i.e. border subjects—considered outside national and ethnic boundaries, as unintelligible and unrecognizable.

This per se intricate situation of our contemporary moment is complemented by a third phenomenon, known as “post-truth”, a term which was awarded the Oxford Dictionaries Word of the Year in 2016.[2] Post-truth, usually associated with the noun “politics,” is described by the Oxford Dictionary of English (ODE) as “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief”. The complex interrelationship between precarity and populism is thus marked by the unparalleled mass media impact on our globalized era and the tendency towards distortion of the news in the press and social media. Factual events are set aside; emotional appeals are foregrounded. This implies that reality is multifarious, kaleidoscopic and that multiple overlapping and sometimes colliding “truths” co-exist. Global issues of poverty worldwide (regardless of whether those areas are classified as developed or developing countries) are in danger of being overlooked and political governments and agencies are faced with ethical and aesthetic issues of representation, concerning aspects of voice, agency and authenticity.

In taking up the critical concepts of this three-field intersection, we suggest precarity, populism and post-truth politics can be interpreted through the lens of racial, gender, or ethnic discrimination, silencing, censorship and marginalization on the part of governments, corporations or other forces, leading to violence and terror and ecological degradation in the context of fierce neo-liberal capitalism.

This International Conference also proposes to examine precarity, populism and post-truth politics through multiple research disciplines, ranging from sociology, economics, ethnography, anthropology, literary and comparative studies, visual and media studies, translation, among others, by focusing on individual or collective cases, imaginative responses, and theoretical or experimental approaches. The aim of this conference is to provide a multi- and transdisciplinary platform which will allow delegates to (un)settle, (re)frame, and analyse the global issues from multiple viewpoints as well as their cultural representation.

We invite abstracts that focus on, but are not limited to, the following:

* Global Health and Safety, starvation and housing

* National and transnational terrorism, war, and violence

* Subalternity, marginality, poverty, and economic inequality

* Gender, sexuality, poverty, and precarity

* Diasporas, immigration and global population trends and growth

* Mass media representations of economy, democracy and global conflict

* Depletion of natural resources, ecological degradation and the Anthropocene

* Imperialistic globalization of cultures

* Human Rights, refugees, asylum seekers, illegal migrants and social activism

* Populisms and aesthetics

* Global emergence of right wing ideologies

* NGOs, UN and other corporate stakeholders

* Racism, discrimination, and ontologies of the grievable

* The role of censorship in mass media and cultural representations

* Neo-liberal capitalism and human sustainability

* The role of science and technology in poverty, populism and the post-truth era

* The humanities and social sciences in the global world

* Truthiness,[3] Truth and Post-Truth Politics: political discourse and consciousness

* Scapes of poverty and precarity and its representational practices

* Contested representations of precarity, populism and post-truth phenomena

* Political separatisms, populism and Brexit

* Literary and visual representations of precarity, populism, post-truth politics

* Ethics and aesthetics in the representations of poverty

 

CONFIRMED PLENARY SPEAKERS

Elleke Boehmer (University of Oxford, UK)

Tabish Khair (Aarhus University, Denmark)

ABSTRACT SUBMISSION

We invite abstracts of 300-400 words for 20-minute papers which can be either oral or virtual. If virtual this should be stated on the abstract as instructions about content and delivery will be sent on acceptance. Proposals for 90 minutes panels, with a 500-word justification in addition to individual abstracts of 300 words, are also welcome. Please include personal information (name, affiliation, contact information) with the abstract, and send it to the following:

 

Om Dwivedi, Sri Ramswaroop Memorial University, Lucknow, India (om_dwivedi2003@yahoo.com)

Cristina M. Gámez-Fernández, University of Cordova, Spain (cristina.gamez@uco.es)

Janet Wilson, University of Northampton, UK (Janet.Wilson@northampton.ac.uk)

 

Deadline: 30 September 2017.

Notification of acceptance: 31 October 2017.

 

[1] See, for example, Amartya Sen, ‘Capability and Well-Being,’ in M. Nussbaum and A. Sen, The Quality of Life. (Oxford: Oxford University Press, 1993); and Martha Nussbaum, Creating Capabilities: The Human Development Approach (Cambridge, Mass: Harvard University Press, 2011).

 

[2] https://en.oxforddictionaries.com/word-of-the-year/word-of-the-year-2016

[3] https://en.oxforddictionaries.com/definition/truthiness